And the Oscar DOESN’T go to… Sam Meltzer
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- TV & Film
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“And the Oscar doesn’t go to…” is a podcast hosted by Sam Meltzer. Here, Sam and one other guest discuss the films that received Best Picture nominations at the Oscars but failed to take any trophies home on Oscar night. Each episode will cover one specific film as we discuss the film itself and why we think it failed to win anything.
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95th Academy Awards RECAP (with The Film Drunk)
Jonathan Fujii (The Film Drunk) and I discuss the 95th Oscars, specifically the five films (The Banshees of Inisherin, Elvis, The Fabelmans, TÁR, Triangle of Sadness) that failed to win any trophies.
The pod (available on all podcast services):
@TODGTpodcast on Twitter
Me:
@SamTheParasite on Twitter
@sammeltzer on Letterboxd
Jonathan:
@thefilmdrunk on YouTube, Twitter and Letterboxd -
A Clockwork Orange (with Gordon McNulty)
The pod:
@TODGTpodcast on Twitter
Me:
@SamTheParasite on Twitter
@sammeltzer on Letterboxd
Gordon:
@fuck_it_dude_lets_go_bowling on Instagram
@theloneactingnominees on Instagram
@loneactingnoms on Twitter
@markwahlbird on Twitter -
Stage Door (with Andrew Carden)
The pod:
@TODGTpodcast on Twitter
Me:
@SamTheParasite on Twitter
@sammeltzer on Letterboxd
Andrew:
@AwardsConnect on Twitter
theawardsconnection.com -
American Graffiti (with James Kunovski)
The pod:
@TODGTpodcast on Twitter
Me:
@SamTheParasite on Twitter
@sammeltzer on Letterboxd
James:
Out of Oscar podcast
@outofoscarpod on Twitter
@jimmykunovski on Twitter
allaboutoscar.net -
Four Weddings and a Funeral (with Valentina Starcovich)
The pod:
@TODGTpodcast on Twitter
Me:
@SamTheParasite on Twitter
@sammeltzer on Letterboxd
Valentina:
@StarcoVision on Twitter -
Dr. Strangelove (with Christof)
The pod:
@TODGTpodcast on Twitter
Me:
@SamTheParasite on Twitter
@sammeltzer on Letterboxd
Christof:
@JudgeRoySnyder on Twitter
@ChristofN on Letterboxd
Customer Reviews
Good pod
Read the title
Volume!
While I find Sam to be a thoughtful and intelligent connoisseur of film, he has two major flaws that keep me from loving this podcast. The first is the number of times he casually dismisses a film or a performance that is outside his area of knowledge. When doing a podcast about film, research is very important and during the prep for an episode, it would be wise to take a page from other podcasts where the hosts have clearly done their homework and are able to speak again at informed matter about all topics relevant to their broadcast. The second issue, and the one that makes it almost impossible to listen to this podcast, is that Sam’s audio is so faint in comparison to his guests that the volume differential it’s very hard to equalize.
YES
TALENTED BRILLIANT INCREDIBLE AMAZING SHOWSTOPPING SPECTACULAR NEVER THE SAME TOTALLY UNIQUE COMPLETELY NOT EVER BEEN DONE BEFORE