Another Aussie in LA Ansuya Nathan

Talk about ending with a bang! It’s the 2016 Heath Ledger Scholarship winner, Ashleigh Cummings (PUBERTY BLUES, MISS FISHER’S MURDER MYSTERIES, TOMORROW WHEN THE WAR BEGAN). Ashleigh talks about juggling three jobs in three cities, her ability to nap on set (in between takes nonetheless) and asserting her independence at the tender age of 14 by traveling to Los Angeles on her own. We discover new words and bond over our mutual love of pancakes. We chat about catharsis and balance as the great ideal. And just when you think you’ve got her down, she shares her African adventures with the Masai and Berber communities. AMAZING!

Producer Amy Child came to LA without a plan and without a job but within two years she is working for Ellen Degeneres and has produced her first feature. BOOM! She shares how she hit the ground running and converted Aussie contacts into US work. We talk about how she pulled together a bunch of first timers to make their debut feature FOR ALL EYES ALWAYS, a biting satire about the CIA developing a reality television show to win back public opinion starring Lynn Whitfield and Sean Aston, among others. 
Amy talks about the simple joy of finding the perfect location and how much working with a kick ass casting director can change the vision and tone of a film. Remember guys, at the end of the day everything will be ok! So get out there and get to work! 

Ok, before you loose your proverbial, this is a re-release of a chat I had with Tim Minchin two years ago. With his recent Logie win for THE SECRET RIVER, his musical GROUNDHOG DAY about to open in London and the success of MATILDA in Australia, well, I thought it might be appropriate timing. Tim illuminates me on the economic machine that is Broadway, how Groundhog Day the musical came about and his existential crisis brought on by the Grammys. We talk about the importance of making stuff you'd like to see, going for the low hanging fruit first, the beauty of reimagining what you've made before and how EVERYTHING informs EVERYTHING. And there are some Tamarama Rock Surfers reminisces. *SIGH*

You might recognize Eden Gaha from his days in front of the camera but it’s his days behind it that you’ll be most grateful for. As the President of Unscripted Television for Endemol Shine USA, this is the man who put the celebs into Celebrity Apprentice and the brought the juniors into the US Masterchef recipe. Eden shares his thoughts on what makes a great unscripted TV idea, what it was like working with Donald Trump, the importance of US network credits and his skill as being a talent whisperer. We discuss the new media conundrum, how a career in Australia put him ahead of the game in terms of experience and how OTT platforms like Netflix and Hulu are changing the style of storytelling in the unscripted arena. Have you got the moxie to get yourself over here? Well, then the hard part is over. Go for it!! 

It all began with a tropical jumpsuit! I On the eve of their US
iTunes release, director Maya Newell and producer Charlotte Mars
tell the story of how they met and what inspired them to make their
powerful and poignant documentary GAYBY BABY. And that was the
realization that in the midst of the debate over marriage equality
that the missing voice in the conversation was that of the children
raised by same sex parents. We discuss the NSW schools screening
controversy and the subsequent media maelstrom surrounding the
Australian release. tThey share the amazing social impact campaigns
in conjunction with Safe Schools program they are about to launch!
We have a chuckle over the crowdfunding stunts they pulled which
allowed them to raise over $100K on Pozible - yeah, you read that
right! - popping into Pixar and the joy of celebrating the film at
Mardi Gras this year! 

They say write what you know and Sarah Scheller (NO ACTIVITY) has done just that with her first pilot THE LETDOWN. Part of the ABC Comedy Showroom it tells the story of a struggling new mum and the mothers’ group she thinks she doesn’t need - a situation that proves to be ripe for the comedic picking. Sarah shares about finding a great collaborator in actress and co-creator/writer Alison Bell, developing the work with Julian Morrow (THE CHASER), getting support from ABC from the get-go and calling in favors from actor mates like Brendan Cowell and Patrick Brammall. She admits that everyone was a little intimidated by Noni Hazelhurst - I mean, who didn’t grow up watching her! - and we do our best not to give the whole story away!