Cinematic Underdogs Paul Keelan / Jordan Puga

We've finally found our home on the putting green and covered Happy Gilmore, the seminal millennial sports comedy classic that largely inspired us to start this podcast.

If you love Happy, Chubbs, Shooter, Subway ad placements, hockey shenanigans, and the rest of the 90s Happy Madison crew as much as we do, then you've stopped by your happy place!

Grab a pitcher of beer and gallop that horse-y around your own personal heaven cause you've hit jackpot! And stay tuned, because Happy Gilmore is the first in a bracket of Sandler vs. Ferrell sports comedies coming your way this spring and summer!

Cheers!

We’ve officially been Bingo-pilled and there’s no going back. Seriously ya’ll, this episode with Bingo-superfan Jed Bookout is bonkers. Completely unhinged. We talk Bingo playing cards, Bingo revolutions, Bingo’s wine drunk slutty dog shenanigans, potential Bingo sequels, Bingo sex-capades, Bingo legacy media, Bingo’s Schrödinger's box theory, Bingo merchandise, and so much more Bingo! 

Enjoy! 

Jed Bookout joins the pod to discuss A24’s early breakout hit of 2024, Love Lies Bleeding: a sapphic, bodybuilding, ultra-violent fever dream of a movie. Set in a scuzzy and sordid 1989 New Mexico setting, and tracking a pair of lesbians turned serial killers by necessity, Love Lies Bleeding is a tonal tour de force evoking the likes of Paul Schrader, Lynne Ramsey, & David Cronenberg. Perhaps the best synopsis of her sophomore entry: Imagine Nicolas WInding Refn directing a Coen Bros script. 

Over the course of the episode, we also discuss Rose Glass’ promising future, Kristen Stewart’s best career performances, the film’s moral neutrality toward ‘roid rage and its juxtapositions between the seedy and the sultry, the unorthodox structural brilliance of Vox Lox, the underrated sub-genre of vagabonds going on vacations in hell (namely, Spring), and the many influences of Love Lies Bleeding’s neo-noirish, black comedy beats.

And yes, we make sure the conversation veers podcast relevant by intermittently debating whether it could be considered a quasi-sports movie, likening it to everything from Black Swan to The Wrestler (although, upon further reflection, Stallone’s arm-wrestling masterpiece Over the Top or the Farrelly Brothers’ bowling romp Kingpin may serve as better reference points).

Enjoy!

It's Oscars season and so we're back with Matt Belenky to spar with a Best Picture winner: Million Dollar Baby. Starring and directed by Clint Eastwood and written by Paul Haggis a year before he penned yet another Best Picture Winner in Crash, this pugilistic take on euthanasia is a classic tearjerker.
It is also a mixed punching bag: filled with melodramatic fetishization of the southern bumpkin archetype, brilliant cinematography, a florid narration by none other than Morgan Freeman (channeling strong Shawshank Redemption vibes), and a plucky Best Actress performance (earned or not) by the always endearing (if not a little cloying) Hilary Swank (to be fair, everyone in this is a maudlin caricature, to degrees).
Though nowhere near as bad as we make it out to be (one might say it's more appropriately "between nowhere and goodbye"), Million Dollar Baby received a good old-fashioned beatdown on this episode. If you're in the mood for some Academy Award-adjacent schadenfreude, you've come to the right place.
Enjoy!!!

We're back to the basics this week, covering Charles Stone III's "The Underdoggs," starring Snoop Dog, Mike Epps, and George Lopez. This is a film we've been barking for: a kids' centered sports movie in the vein of The Might Ducks, Little Giants, or The Big Green, only raunchier. Filled with direct callbacks to each of movies (including a scene where a Hummer arrives on the football field just as Emilio Estevez infamously had his limo driver park on the ice, an Annexation of Puerto Rico-inspired trick play, and an asthmatic kid with an overbearing, neurotic mom a la the nose-bubble dweeb in Little Giants), The Underdoggs fills like a giant homage to his 90s predecessors.

For what this 90-minute comedy offers, we found it a success. As most know, boys are a puerile bunch. They curse, they say dirty jokes, they're rowdy. The Underdoggs leans into this reality, and it does so with winks that let us know that the kids sports movies we grew up loving still have a niche place in the culture today. Sure, the dramatic beats and attempts at poignancy feel rushed and hasty (lost in the glib pastiche of surface sentiment and elision by way of meta winks), but The Underdoggs' rehashes the tropes and archetypes we know so well at the same time, reviving this little subgenre with blunts, runts, and unfiltered glee.

Enjoy!

Bilge Ebiri joins the pod to talk Michael Mann's Ferarri! We chat about the film's multidimensional themes, its subtle subversion of conventional sports tropes, and the powerful way its irreconcilable conflicts and philosophical tensions linger long after the initial viewing. We also discuss Bilge's Top 5 Sports Movies and the state of the genre. *A preemptive apologies for the mixed vocal quality. There was a mic issue that caused a postproduction headache.*
Enjoy!