Arthur Omura, hurdy-gurdy; Adam Knight Gilbert, bagpipe Tune: “Ruggiero” Anonymous

Bianca Hall, soprano; Karina Kallas, soprano; Kristin Chaudhary, soprano; Stacey Helley, mezzo-soprano; William Rowley, tenor; Joel Nesvadba, baritone; Mikael Sebag, baritone; Arthur Omura, hurdy-gurdy The FAREWELL . First Popery Collection, pp. 20-21 Tune: “The Fourtyfifth Song,” also known by its refrain, “I live not where I love” Cantus, Songs and Fancies, John Forbes, 1662.

Stacey Helley, mezzo-soprano; Arthur Omura, harpsichord; Jason Yoshida, theorbo A Short LETANY. To the Tune of Cook-Laurel. Fourth Popery Collection, p. 25 Tune: “Cook Lawrel.” 180 Loyal Songs, Nathaniel Thompson, 1685, p. 103.

Bianca Hall, soprano; Karina Kallas, soprano; Arthur Omura, virginal; Jason Yoshida, guitar BALLAD. To the Tune of Couragio. First Popery Collection, pp. 12-13 Tune: “Rogero” Cambridge University MS Dd.4.23, fol. 23v, cited in Claude M. Simpson, The British Broadside Ballad and its Music, Rutgers: 1966, p. 612.

Jason Yoshida, lute Tune: “Ruggiero” Margaret Board Lute Book ca. 1620-30 (Spencer 1976, facsimile reproduced by Boethius Press, Leeds, England), and Jason Yoshida, 2011

Rotem Gilbert, recorder; Adam Knight Gilbert, recorder; Jason Yoshida, lute Tune: “Greensleeves to a Ground” The Division Flute 1706, and Adam Knight Gilbert, 2011.

Karina Kallas, soprano A New LITANY in the Year 1684. Third Popery Collection, p. 30 Tune: “Cavalilly-man.” 180 Loyal Songs, Nathaniel Thompson, 1685, p. 200.

William Rowley, tenor; Joel Nesvadba, baritone; Adam Knight Gilbert, recorder; Arthur Omura, harpsichord; Jason Yoshida, lute A LETANY for the Fifth of November, 1684. Fourth Popery Collection, p. 24 Tune: “Green-Sleeves and Pudding-Pies.” The Dancing-Master, 7th edition, John Playford, 1686, p. 186. Ground bass: “Romanesca,” traditional.

William Rowley, tenor; Joel Nesvadba, baritone; Arthur Omura, harpsichord; Jason Yoshida, lute; Adam Knight Gilbert, recorder Father PETRE’S Policy DISCOVERED : OR, THE Prince of WALES Prov’d a Popish Perkin. Second Popery Collection, p. 29 Tune: “Green-Sleeves and Pudding-Pies” The Dancing-Master, 7th edition, John Playford, 1686, p. 186. Ground bass: “Romanesca,” traditional.

Stacey Helley, mezzo-soprano; Adam Knight Gilbert, recorder; Arthur Omura, harpsichord A Sale of old STATE Houshold-stuff … Third Popery Collection, p. 26-27 “Old Simon the King” Henry Purcell, ed. The Second Part of Musick’s Hand-maid, Henry Playford, 1689.

William Rowley, tenor; Adam Knight Gilbert, recorder; Arthur Omura, virginal; Jason Yoshida, guitar The PAPISTS EXALTATION, On his Highness the PRINCE of ORANGE his Arrival in London. First Popery Collection, p. 19 Tune: “Hey Boys up go we.” 180 Loyal Songs, Nathaniel Thompson, 1685, p. 221; ground bass, Jeanne McDougall, 2009.

Joel Nesvadba, baritone; Adam Knight Gilbert, tenor; Arthur Omura, harpsichord; Jason Yoshida, theorbo; Andrew McIntosh, violin A New Song upon the Hogen, Mogens. First Popery Collection, p. iii Tune: “A new Irish Tune,” also known by its refrain “Lilliburlero” Henry Purcell, ed. The Second Part of Musick’s Hand-maid, Henry Playford, 1689.

Arthur Omura, harpsichord Tune: “A new Irish Tune,” also known by its refrain “Lilliburlero” Henry Purcell, ed. The Second Part of Musick’s Hand-maid, Henry Playford, 1689.

Bianca Hall, soprano; Karina Kallas, soprano; Kristin Chaudhary, soprano; Stacey Helley, mezzo-soprano; William Rowley, tenor; Joel Nesvadba, baritone; Mikael Sebag, baritone; Arthur Omura, hurdy-gurdy A New SONG First Popery Collection, p. 9 Tune: “A new Irish Tune,” also known by its refrain, “Lilliburlero” Henry Purcell, ed. The Second Part of Musick’s Hand-maid, Henry Playford, 1689.

Stacey Helley, mezzo-soprano; Joel Nesvadba, baritone; Arthur Omura, harpsichord; Jason Yoshida, guitar; Andrew McIntosh, violin A New Song of an Orange./The ORANGE. First Popery Collection, pp. 10-11 Tune: “From twelve years old I oft have,” also known by its refrain, “Of a Pudding” Thomas D’Urfey, ed. Pills to Purge Melancholy III, 1702, p. 72.

Joel Nesvadba, baritone; Adam Knight Gilbert, recorder; Arthur Omura, virginal; Jason Yoshida, lute A New SONG. First Popery Collection, p. 20 Tune: “Would you be a Man in fashion?” (Capt.) Simon Pack, ed. Choice Ayres and Songs … The Fifth Book, John Playford, 1684, pp. 14-15.

Bianca Hall, soprano; Karina Kallas, soprano; Kristin Chaudhary, soprano; Stacey Helley, mezzo-soprano; William Rowley, tenor; Joel Nesvadba, baritone; Mikael Sebag, baritone; Arthur Omura, hurdy-gurdy MONMOUTH’s Remembrance. Second Popery Collection, pp. 20-21 Tune: “There was a Jovial Begger,” also known by its refrain, “a begging we will go” Choice Ayres and Songs … The Fifth Book, John Playford, 1684, p. 26.

Mikael Sebag, baritone; William Rowley, tenor; Joel Nesvadba, baritone; Jason Yoshida, theorbo; Adam Knight Gilbert, percussion Fourth Popery Collection, pp. 34-35 Tune: “Downe in a bottome &c.” Bodleian MS Rawlinson Poet. 152, fol. 9, cited in Claude M. Simpson, The British Broadside Ballad and its Music, Rutgers: 1966, p. 192; ground bass, Jeanne McDougall, 2009.

Joel Nesvadba, baritone; Mikael Sebag, baritone; William Rowley, tenor; Adam Knight Gilbert, recorder; Mishkar Nuñez Mejia, violin; Arthur Omura, virginal; Jason Yoshida, guitar A New SONG on the Calling of a Free Parliament, Jan. 15. 1688/9. First Popery Collection, pp. 19-20 Tune: “A New Scotch Tune” Henry Purcell, ed., The Second Part of Musick’s Hand-maid, Henry Playford, 1689.

Arthur Omura, harpsichord Tune: “A New Scotch Tune” Henry Purcell, ed., The Second Part of Musick’s Hand-maid, Henry Playford, 1689.

Arthur Omura, virginal Tune: “Packington’s Pound” J. A. Fuller Maitland and W. Barclay Squire. The Fitzwilliam Virginal Book, volume II. New York: Dover Publications, Inc., 1963, Number: CLXXVIII, anon., p. 234. Quote by Claude M. Simpson, The British Broadside Ballad and its Music, Rutgers: 1966, p. 564.

Bianca Hall, soprano; Arthur Omura,virginal; Jason Yoshida, lute; Mishkar Nuñez Mejia, violin On the Q---n’s Conception. First Popery Collection, pp. 8-9 Tune: “Packington’s Pound.” 180 Loyal Songs, Nathaniel Thompson, 1685, p. 40.