EVERYTHING EVERYWHERE ALL AT ONCE is a gloriously, messy, genre-bending film directed by The Daniels and shot in only 36 days by Director of photographer Larkin Seiple. Larkin and Go Creative Show host, Ben Consoli, break down his visual approach to the different universes. Plus, we discuss how the multi-verse transitions were achieved, the inspiration for hot dog fingers, the many types of lenses used, working with tight budgets, driving 4 hours for a 1 minute rock scene, and much more. Subscribe Now! What you will learn in this episode Making sense of EVERYTHING EVERYWHERE as filmmakers (01:29) How to avoid overwhelming your audience (08:44) Visual approach to each universe (10:42) Why the Wong Kar Wai flashbacks were so challenging (13:46) Driving 4 hours to film the rock scene (19:32) Why so many lenses were used (22:12) Filming EVERYTHING EVERYWHERE in only 36 days (32:45) Choreographing all the fight scenes (38:09) How filming music videos translated to EVERYTHING EVERYWHERE (45:53) Shooting the multi-verse transitions (50:21) And more! Go Creative Show is supported by: Shot Lister - The Best Shot List App Email [email protected] to claim your free gift   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links EVERYTHING EVERYWHERE trailer EVERYTHING EVERYWHERE IMDb Todd-AO Anamorphic — Camtec Follow Our Guest Larkin Seiple’s IMDb Larkin Seiple’s Instagram Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Connor Crosby (producer) Ignition Visuals' website Ignition Visuals' Instagram Follow Dave Siegel (sound mixer) Dave Siegel's website