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In Ryan Kenedy’s debut novel, The Blameless (University of Wisconsin Press 2023 ) we meet Virginia, an exhausted adjunct professor and divorced mother of an autistic five-year-old, whose father only takes him for one weekend a month. Virginia is lonely and struggling to make a living as an adjunct professor of English. When she learns that the man who murdered her father has been released from prison despite a life sentence, she decides to confront him and mete out his just punishment. She traces Travis Hilliard to a remote place in the Mojave Desert. He’s inherited his uncle’s trailer on an isolated strip of land and is trying to rebuild his life outside of prison. Because Virginia doesn’t have anyone to care for her little boy, she brings him along for the confrontation.
Ryan Kenedy was born and raised in the working-class neighborhoods of California's Central Valley. He holds an MFA in fiction writing from California State University, Fresno, and has taught writing and literature for over twenty-five years, both as an adjunct instructor and as a tenured faculty member. He currently teaches at Moorpark College. His short fiction is forthcoming in the North Dakota Quarterly and has appeared in North American Review, The Greensboro Review, Sou'wester, and The San Joaquin Review. His debut collection of short fiction, Don’t Let Them Fall, will be published in 2025 by Johns Hopkins University Press. When he’s not teaching or writing, Ryan likes strumming his Gibson guitar and watching the Dodgers on television, biking and kayaking with his wife of twenty-eight years, visiting his son in the heart of New York City, and hiking the forest trails of Washington State. As a volunteer with Alpha USA, Ryan creates opportunities for community members to engage in honest conversations about some of life's biggest questions.
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In Haitian Vodou, spirits impact Black practitioners' everyday lives, tightly connecting the sacred and the secular. As Eziaku Atuama Nwokocha reveals in Vodou En Vogue: Fashioning Black Divinities in Haiti and the United States (UNC Press, 2023), that connection is manifest in the dynamic relationship between public religious ceremonies, material aesthetics, bodily adornment, and spirit possession. Nwokocha spent more than a decade observing Vodou ceremonies from Montreal and New York to Miami and Port-au-Prince. She engaged particularly with a Haitian practitioner and former fashion designer, Manbo Maude, who presided over Vodou temples in Mattapan, Massachusetts, and Jacmel, Haiti. With vivid description and nuanced analysis, Nwokocha shows how Manbo Maude's use of dress and her production of ritual garments are key to serving Black gods and illuminate a larger transnational economy of fashion and spiritual exchange.
Eziaku Atuama Nwokocha is assistant professor of religion at the University of Miami.
Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
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My Brother, My Land: A Story from Palestine (Redwood Press, 2024) is a riveting and unapologetic account of Palestinian resistance, the story of one family's care for their land, and a reflection on love and heartache while living under military occupation.
In 1967, Sireen Sawalha's mother, with her young children, walked back to Palestine against the traffic of exile. My Brother, My Land is the story of Sireen's family in the decades that followed and their lives in the Palestinian village of Kufr Ra'i. From Sireen's early life growing up in the shadow of the '67 War and her family's work as farmers caring for their land, to the involvement of her brother Iyad in armed resistance in the First and Second Intifada, Sami Hermez, with Sireen Sawalha, crafts a rich story of intertwining voices, mixing genres of oral history, memoir, and creative nonfiction.
Through the lives of the Sawalha family, and the story of Iyad's involvement with the Palestinian Islamic Jihad, Hermez confronts readers with the politics and complexities of armed resistance and the ethical tensions and contradictions that arise, as well as with the dispossession and suffocation of people living under occupation and their ordinary lives in such times. Whether this story leaves readers discomforted, angry, or empowered, they will certainly emerge with a deeper understanding of the Palestinian predicament.
Sami Hermez is an anthropologist and teaches at Northwestern University in Qatar. He is the author of War Is Coming: Between Past and Future Violence in Lebanon (2017). His work in and out of the classroom reflects a strong commitment to freedom, justice, and equality. His family's history of migration spans the Levant, with roots in Al-Qosh, Aleppo, Beirut, and Jerusalem. Sami lives in Doha with his family.
SIREEN SAWALHA, born in the small village of Kufr Rai in Jenin, Palestine, comes from a family deeply connected to the region's rich history. She moved to the US in 1990 and completed her Bachelor's and Master's degrees at Rider University. Recognized by Cornell University for her outstanding contributions to education in 2022, Sireen serves as a social studies teacher in New Jersey. Beyond academia, she is a passionate chef and compelling storyteller, sharing her family's experiences under occupation. Sireen raises awareness about Palestinian culture and actively contributes to the struggle for Palestinian freedom. My Brother, My Land is the story of her family.
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Dr. Sean Griffin's book, The Liturgical Past in Byzantium and Early Rus (Cambridge UP, 2019), takes on the question of the source materials for the Primary Chronicle, one of the most important texts for the study of medieval Russia. Griffin argues that key portions of the Chronicle have their origin in Byzantine liturgy. This thesis has broad implications for what is and can be known about the early Rus.' Griffin further argues that Rus' state power had a direct interest in liturgy, and he is carrying this interest forward into a forthcoming book on technologies of power in present-day Russia. Listeners interested in this latter topic should be interested in the present interview; the manner in which the Russian state has sacralized its power illustrates fascinating continuities, from the early Rus' to the present day. 
Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.
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Learning from children about citizenship status and how it shapes their schooling.
There is a persistent assumption in the field of education that children are largely unaware of their immigration status and its implications. In Knowing Silence: How Children Talk about Immigration Status in School (U Minnesota Press, 2024), Ariana Mangual Figueroa challenges this “myth of ignorance.” By listening carefully to both the speech and significant silences of six Latina students from mixed-immigration-status families, from elementary school into middle school and beyond, she reveals the complex ways young people understand and negotiate immigration status and its impact on their lives. Providing these children with iPod Touches to record their own conversations, Mangual Figueroa observes when and how they choose to talk about citizenship at home, at school, and in public spaces. Analyzing family conversations about school forms, in-class writing assignments, encounters with the police, and applications for college, she demonstrates that children grapple with the realities of citizenship from an early age. Educators who underestimate children’s knowledge, Mangual Figueroa shows, can marginalize or misunderstand these students and their families. 
Combining significant empirical findings with reflections on the ethical questions surrounding research and responsibility, Mangual Figueroa models new ways scholars might collaborate with educators, children, and families. With rigorous and innovative ethnographic methodologies, Knowing Silence makes audible the experiences of immigrant-origin students in their own terms, ultimately offering teachers and researchers a crucial framework for understanding citizenship in the contemporary classroom.
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Listen to this interview of Lee McIntyre, Research Fellow at the Center for Philosophy and History of Science (Boston University) and Senior Advisor for Public Trust in Science (Aspen Institute). We talk about his book The Scientific Attitude: Defending Science from Denial, Fraud, and Pseudoscience (MIT Press, 2019).
Lee McIntyre : "Scientists have an enormous role — and I'll even say, a responsibility, to make sure that their work does not end just with the discoveries, but extends, as well, to include the communication of those discoveries to their scientific colleagues and beyond them, to society more broadly. And I think that there's enormous room for more public education, not just about the results of science, but also about how science actually works."
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