Harry Deansway is an experimental comedian, former comedy editor of the guardian guide, ex magazine publisher and now writer for film and TV. This is as raw and unfiltered as it gets. We discuss:  How badly Harry wants to succeed Some good opportunities that he messed up His worst gig ie being broken up with whilst on stage 

Finalist in Silver and Gold stand up of the year and One to Watch (Funny Women) talks frankly about her age, starting comedy in the middle of a divorce and how she won't look ridiculous on stage, even for a laugh.

Interview with alternative comic Bas Rahman, who blends the dark with the blue. We discuss how racism is the reason she's not on TV, how she could change her name to Melinda Karbunkle to get a meeting with an agent, and why other comedians should quit.

Don Biswas talks about what is missing in his act, including lack of charm, stage presence, and brand sponsorship with Claire's accessories. We also discuss his comedy themes of dyspraxia, politics, and conspiracy theories, as well as the importance of confidence.

Michael Akadiri, winner of Komedia New Comedy Award 2020, talks about the time he almost signed with an agent, his worst show, and whether he could do comedy in the surgery room as junior surgeon.

New act of the year finalist Radu Isac talks about why he would have a website with only 30 subscribers, his avoidance of a day job in Tesco, and why he pretends he is happier than he is.

Musical Comedy Award finalist Jon Long talks about bringing a guitar on stage, his hair, and whether being a pretty boy has helped him get ahead in comedy. There are many tense moments and insults flying between Jon and the host.

Winner of Old Comedian of the Year, Nick Elleray, talks about whether he  should wear a wig on stage, why he is bald, and his sold out Edinburgh  shows.

Avant-garde alternative act Rebekka Turner talks about making people uncomfortable on stage, how she realised she scares people, and the  oddest heckles she has had. She also clashes with the host Rosana.

Winner of the Leicester Mercury comedy award, Tom Little, talks about selling out on Twitter, his challenges and lack of relatability on stage, and what he thinks about his annoying voice.