Roman Architecture - Audio Diana E. E. Kleiner

Professor Kleiner presents the three options for the course's term paper, which fall into two main categories: a research paper or a project to design a Roman city. For the research paper, she suggests cities and monuments not covered or mentioned briefly in the lectures, which embody some of the themes and issues raised in the course. Such topics include, in the Eastern Empire, the Roman cities of Corinth and Gerasa (Jerash), the Library of Celsus at Ephesus, and the Temple of Bel and the tower tombs at Palmyra. In the west, possible subjects are the Villa of the Papyri at Herculaneum; funerary architecture in Pompeii; a Roman villa at Fishbourne; Roman baths at Bath; and the houses at Vaison-la-Romaine. Students may also study a site or monument of their choice, provided that the topic is pre-approved by Professor Kleiner. The lecture concludes with an overview of the "Design a Roman City" option, in which students draw or generate plans and other representations of a hypothetical Roman city of 10,000 inhabitants, accompanied by a paper supporting their proposal.

Professor Kleiner discusses domestic architecture at Pompeii from its beginnings in the fourth and third centuries B.C. to the eruption of Vesuvius in A.D. 79. She describes the plan of the ideal domus italica and features two residences that conform to that layout. She then presents the so-called Hellenized domus that incorporates elements of Greek domestic architecture, especially the peristyle court with columns. The primary example is the famous House of the Faun with its tetrastyle atrium, double peristyles, and floor mosaic of the battle between Alexander the Great and Darius of Persia at Issus, a Roman copy of an original Greek painting. She concludes by highlighting the suburban Villa of the Mysteries and notes the distinction between plans of Roman houses and those of Roman villas.

Professor Kleiner features the baroque phenomenon in Roman architecture, in which the traditional vocabulary of architecture (columns and other traditional architectural elements) is manipulated to enliven building facades and inject them with dynamic motion. This baroque trend is often conspicuously ornamental and began to be deployed on the walls of forums and tombs in Italy already in the late first century A.D. But baroque architecture in Roman antiquity was foremost in the Greek East where high-quality marble and expert marble carvers made it the architectural mode of choice. At Petra in Jordan, tomb chambers were cut into cliffs and elaborate facades carved out of the living rock. The cities of Miletus and Ephesus in Asia Minor were adorned with gates and fountains and libraries and stage buildings that consisted of multi-storied columnar screens. The lecture culminates with the Sanctuary of Jupiter Heliopolitanus, a massive temple complex at Baalbek in Lebanon, with Temples of Jupiter and Bacchus in enormous scale and with extreme embellishment, and the Temple of Venus with an undulating lintel that foreshadows the curvilinear flourishes of Francesco Borromini's S. Carlo alle Quattro Fontane in seventeenth-century Rome.

Professor Kleiner presents the architecture of Constantine the Great, the last pagan and first Christian emperor of Rome, who founded Constantinople as the "New Rome" in A.D. 324. She notes that Constantine began with commissions that were tied to the pagan past (the Baths of Constantine in Rome) but built others (the Aula Palatina at Trier) that looked to the Christian future. Professor Kleiner makes an impassioned case that some of the finest and most innovative Roman buildings date to the Constantinian period. The "Temple of Minerva Medica," a garden pavilion, for example, is decagonal in shape and the colossal Basilica Nova was inventively modeled on the frigidaria of Roman imperial bath complexes. In addition, the Arch of Constantine, a triple-bayed structure commemorating Constantine's victory over Maxentius at the Battle of the Milvian Bridge, serves as a compendium of Constantine’s accomplishments in the context of those of the "good emperors" of the second century A.D. In conclusion, Professor Kleiner asserts that the transfer of the Empire's capital from Rome to Constantinople diminished Rome’s influence, at least temporarily, but not the impact of its architecture, which like the city of Rome itself, is eternal.

Professor Kleiner characterizes third-century Rome as an "architectural wasteland" due to the rapid change of emperors, continuous civil war, and a crumbling economy. There was no time to build and the only major architectural commission was a new defensive wall. The crisis came to an end with the rise of Diocletian, who created a new form of government called the Tetrarchy, or four-man rule, with two leaders in the East and two in the West. Diocletian and his colleagues instituted a major public and private building campaign in Rome and the provinces, which reflected the Empire's renewed stability. Professor Kleiner begins with Diocletian's commissions in Rome--a five-column monument dedicated to the tenth anniversary of the formation of the Tetrarchy, the restoration of the Curia or Senate House, and the monumental Baths of Diocletian. She then presents Diocletian's Palace at Split, designed as a military camp and including the emperor's octagonal mausoleum, followed by an overview of the palaces and villas of other tetrarchs in Greece and Sicily. Professor Kleiner concludes with the villa on the Via Appia in Rome belonging to Maxentius, son of a tetrarch, and the main rival of another tetrarch's son, Constantine the Great.

Professor Kleiner explores the architecture of the western provinces of the Roman Empire, focusing on sites in what are now North Italy, France, Spain, and Croatia. Her major objective is to characterize "Romanization," the way in which the Romans provide amenities to their new colonies while, at the same time, transforming them into miniature versions of the city of Rome. Professor Kleiner discusses the urban design of two Augustan towns before proceeding to an investigation of a variety of such established Roman building types as theaters, temples, and aqueducts. The well-preserved Theater at Orange and Maison Carrée at Nîmes, and the unparalleled aqueducts at Nîmes and Segovia are highlighted. The lecture concludes with an overview of imperial and private arches and tombs in the western provinces, among them the controversial three-bayed arch at Orange. The Trophy of Augustus at La Turbie serves as a touchstone for the Roman West, as it commemorates Augustus' subjugation of the Alpine tribes, clearing the way for Rome to create new cities with a distinctive Roman stamp.