Today on Script Apart – another in our "Stage Apart" series about great plays! Our guest this week is a storyteller beloved across stage and screen, whose 2009 play Jerusalem is frequently referred to as the best play of the century so far. His acclaimed theatre productions includes 1995’s Mojo, 2012’s The River and 2019’s The Ferryman – but movie fans might know him better for films like Edge of Tomorrow, Ford v Ferrari, the James Bond movie Spectre and Indiana Jones and the Dial of...

This week on Script Apart – a storyteller who began penning films like 28 Days Later and The Beach, before stepping behind the camera as the writer-director of stories that go to fascinating philosophical places, asking borderline unanswerable questions about humanity along the way.  Alex Garland's fourth time in the director's chair, Civil War, is his most explosive film yet – a film that riffs on America's intensely fractious present by imagining a future in which the country has torn...

This week on Script Apart, we’re broadcasting from the Upside Down. Yes, grab your Eggos and Metallica CDs for a special, spoiler-free conversation all about Stranger Things: The First Shadow – the first theatre production that we’ve covered on the show, as part of a new strand of episodes called "Stage Apart." The First Shadow is a show that, as reviews have underlined, accomplishes things not thought possible in a play till now; as a spectacle, it's breathtaking in the way it conjures all...

Welcome to another Script Club episode of Script Apart, in which storytellers we admire pick a film or show they love and talk about why it's special. Today, revered Folio Prize-winning author Carmen Maria Machado (Her Body and Other Parties, In The Dream House) breaks down the dystopian delights of Alfonso Cuarón's Children Of Men, co-written with Timothy J. Sexton, David Arata, Mark Fergus and Hawk Ostby. Based on a 1992 novel by P.D James, this 2006 action thriller forecast a Britain in...

“We are what we survive.” That’s the message of Expats, the powerful new limited series from our guest this week, Lulu Wang. Lulu is a writer-director whose stories are unflinchingly intimate portraits of characters captivatingly full of contradictions. In this show, adapted from a novel by Janice Y.K. Lee, those characters are three women, different in age, class, personal circumstance and relationship to motherhood, who become linked by an unthinkable tragedy. These women’s stories combine...

Today on Script Apart, we're heading to Malia with Molly Manning Walker, writer-director of How To Have Sex. Since wowing audiences at Cannes last summer, the sun-sea-and-consent drama has proved a box office hit, been hailed as one of the strongest feature debuts by a British filmmaker in recent year and sparked long-overdue, nuanced conversations about the attitudes towards sex that young people inherit. The film  tells the tale of Tara, a sixteen-year-old played by Mia McKenna-Bruce, on a...

American Fiction is two films at once – a farcical comedy take-down of white gatekeepers who only want one type of Black storytelling and a beautifully tender drama that underlines the richness possible when filmmakers of colour are allowed to operate outside of the boxes they’re often put in. Written and directed by Cord Jefferson, whose past writing credits include work on Succession, The Good Place and Damon Lindelof’s Watchmen TV adaptation, the film tells the tale of Monk, a frustrated...

Alienation, abandonment and dislocated shoulders: not really your usual ingredients for a tender festive heart-warmer. But then again, The Holdovers – unequivocally one of our favourite films of the last twelve months – isn’t your average Christmas movie. Directed by Alexander Payne and written by our guest today, the brilliant David Hemingson, it's a drama steeped in the pain of reaching the so-called “most wonderful time of the year” and feeling nothing but loneliness. The film tells the...

This week we're joined by writer-director Andrew Haigh, whose new metaphysical drama All Of Us Strangers is a bruise in movie form: all swirling blue and purple hues, symbolic of hurt and longing to heal. The film tells the tale of a quiet screenwriter named Adam, played by Andrew Scott, who lives in a lonely London tower block, divorced from the world. His only neighbour is Harry, played by Paul Mescal, who one night makes a drunken move on Adam, only to be turned down. Instead, we follow...

The acclaimed new Leonard Bernstein biopic Maestro is about more than just the life and times of arguably America’s most famous composer. It’s about the idea of genius and what allowances those in the presence of gifted creatives sometimes permit, at great personal cost, to allow that artistry to flourish. Starring Carey Mulligan and Bradley Cooper, who also directs, the film’s another example of the supreme storytelling talents of Josh Singer – a screenwriter renowned for telling the...

This week, we're joined by the great Ari Aster –  one of the boldest and most enigmatic voices in American cinema right now. He’s a filmmaker that Al first met in May 2019. The New York-born writer-director’s debut horror, Hereditary, was a few months old at the time, and Ari was deep in the edit for Midsommar at the time. Al had been sent by Empire Magazine to write a profile that championed him as a new king of horror. Which made sense in the moment: Midsommar, his Wicker Man-esque...

Today on the show – a movie in which Emma Stone attempts to punch a baby, by a playwright and screenwriter whose stories never fail to pack a punch. Yes, Tony McNamara is here, talking all things Poor Things, his latest collaboration with director Yorgos Lanthimos. Having previously worked together on the ten-time Oscar-nominated historical comedy The Favourite in 2018, this awards-tipped odyssey is a Frankensteinian creation as beguiling and impossible to pin down as its protagonist, Bella...

On October 13, 1972, a plane carrying 45 passengers and crew – 19 of whom were young rugby players – took off from Carrasco International Airport in Uruguay heading to Santiago, Chile. The plane never reached its destination. Adverse weather conditions caused Flight 571 to crash into a mountain ridge, ripping the aircraft in two over the Andes mountains – one of the most inhospitable places on earth. Those who didn’t die immediately in the wreckage – the so-called lucky ones – faced...

In our final episode of 2023, Michael Arndt – the acclaimed writer of films like Little Miss Sunshine and Star Wars: The Force Awakens – drops by for a two-hour dissection of his script for Toy Story 3 –a Pixar sequel that went to infinity and beyond when it came to thrills, laughter and emotion.   Directed by past Script Apart guest Lee Unkrich, the 2010 film could have repeated the formula that made past the franchise’s previous films a global phenomenon, making instant icons out of Woody,...

On today’s episode, an interview at the end of a TV show: A Murder At The End Of The World. That’s right, Brit Marling and Zal Batmanglij are with us, breaking down every detail of their phenomenal techno-thriller whodunnit, which reached its breathtaking conclusion last night. As we’ve come to expect from the creators of head-spinning drama The OA – which felt like the signalling of a bold new era of ambitious narrative television when it hit screens in 2016 – A Murder At The End Of The...

New disaster movie Leave The World Behind deals with themes that its writer-director, Sam Esmail, finds impossible to leave behind himself. Eight years ago, the filmmaker introduced himself with Mr. Robot – a techno-thriller piece of prestige TV that warned of the ways that society might grow fragmented, unreliable and open to exploitation, the more it hinged on technology. The show ran for four seasons, winning three Emmys along the way. Now, he’s back with another tale that highlights the...

Something sinister simmers beneath the surface of suburbia in Eileen, a psychological thriller about pent-up desire, parental neglect and escaping the shackles of the life expected of us. It’s a story that first existed as a novel, launching the literary career of Boston-born author Ottessa Moshfegh in 2015. Since then, Ottessa’s career has skyrocketed: novels like Lapvona and the tremendous My Year of Rest and Relaxation have seen her lauded as one of her generation’s most exciting voices....

May December – written by our guest this week, Samy Burch – tells the serpentine tale of a TV actress, Elizabeth (Natalie Portman) who descends upon the home of a family founded on scandal. Two decades have passed since Gracie, portrayed by Julianne Moore, and her now-husband Joe, played by Charles Melton, hit the headlines after beginning a relationship when Gracie was in her mid-thirties and Joe was just thirteen years old. Elizabeth, researching the couple ahead of a film based on their...

Stick to the plan. Anticipate, don’t improvise. Trust no one. Never yield an advantage. Fight only the battle you’re paid to fight… and if you can do all that while listening to The Smiths, even better. That’s the mantra of the eponymous assassin at the heart of The Killer, directed by David Fincher and written by our guest today  – the fantastic Andrew Kevin Walker.  The Killer is a movie that deconstructs the hitman movie genre like Michael Fassbender’s glassy-eyed gun-for-hire...

Can you find the wolves in this podcast? Our guest today, Eric Roth, is the Academy Award-winning writer behind films like Forrest Gump. He wrote The Insider for Michael Mann, Munich for Steven Spielberg, The Curious Case of Benjamin Button for David Fincher and 2018’s A Star Is Born for Bradley Cooper, and two years ago, we had the delight of his company as we broke down his script for Denis Villeneuve’s Dune on this very show. Today, we're joined by him once more to discuss what – whisper...

Film history is full of troublesome hotels, isn’t it? A few of them we've even covered on this very show, from the haunted Overlook in The Shining to the labyrinthine, unsettling Airbnb in Barbarian – the kinds of places that make you vow to never complain about a Premier Inn again. This week, revered writer-director Kitty Green releases a thriller that adds to that long list with the sublime The Royal Hotel – an at times unbearably tense exploration of gender and toxic masculinity, set in...

The first rule of Fight Club is you do not talk about Fight Club. But when it comes to Bottoms – the new queer high school comedy from Emma Seligman, in which two teen lesbians start their own Fincher-esque Fight Club in an attempt to get closer to cheerleaders – well, there's really no helping it.  On today's episode of Script Apart, the acclaimed filmmaker breaks down an early version of the smash hit new movie that began with our heroes, PJ (Rachel Sennott) and Josie (The Bear star Ayo...

This week, we're delighted to be reunited with the talented Jeff Rowe, who first appeared on the show in 2021, breaking down his and Mike Rianda’s hilarious The Mitchells vs the Machines. On today’s episode, the animation auteur returns to talk all things Teenage Mutant Ninja Turtles. The heroes in a half shell returned earlier this year in Mutant Mayhem, which Jeff directed from a script he co-wrote with Seth Rogen and Evan Goldberg. The film packed laughter,  action and emotion unlike any...

This episode is part of our Storyteller Sessions event – a weekend of career-spanning conversations with game-changing storytellers, raising money for the Entertainment Community Fund. If you enjoy this episode or any of the episodes still to come across this weekend, please do consider donating via the link below: Donate to our fundraiser here! Gillian Flynn is an author, screenwriter and showrunner who delights in writing what she calls “bad women” – fascinatingly flawed female...