I first came across Max Cooper around the time of his last album, One Hundred Billion Sparks. The lead single, Hope, defies simple categorisation, at once ethereal and ecclesiastical, and yet with the throbbing subs and high-end sizzle of a track designed for the dance-floor. The dance-floor...
Published 11/11/19
At the end of June 2018, in the midst of world cup fever, I caught the overground south from Dalston Junction to visit Paul White, a producer whose work I’ve been a fan of for nearly a decade. First emerging as a leader of of the British beats scene of the late noughties releasing on One Handed...
Published 10/24/18