StyleZeitgeist Podcast Eugene Rabkin

On this episode we speak with Lorenzo Osti, the son of Massimo Osti, about the life and legacy of his father, the pioneer of modern men’s fashion. We talk about Osti’s design ethos, work methods, and innovations, and how the newly established brand Massimo Osti Studio carries on Osti’s legacy today.
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On this episode we review the Fall/Winter 2024 fashion season in Milan and Paris, including the Alexander McQueen debut and the feedback it has received, the state of Balenciaga and Demna, Ann Demeulemeester, Sacai, and more. Philippe shares thoughts on his new favorite brand, Hodakova, and we talk about why the Dior show was an ad, why the smaller brands like Gaucherre and Lutz Huelle are important, and much more. The question of the day, considering the debuts we have witnessed over the last twelve months - is the new generation capable of producing a great designer?
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On this episode we speak with Natasha Degen, Professor and Chair, Art Market Studies, Fashion Institute of Technology about the uneasy symbiosis of fashion and art that she examines in depth in her recent book Merchants of Style: Art and Fashion After Warhol,. We talk about the encroachment of corporate luxury fashion on the art world with Warhol as the pivotal figure, the degradation of the art museum, art and fashion collaborations, Raf Simons and Sterling Ruby, Marc Jacobs and Takashi Murakami, Virgil Abloh and Pharrell, Bernard Arnault's and Francois Pinault's forays into art as the new Medici, and what is lost when art becomes sponsored by the private sector and consumed by the masses.
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On this episode we are back with Philippe to discuss this past men’s season shows at Pitti Uomo, Milan, and Paris. We talk about the contrast between Luca Magliano and S.S. Daley, Gucci, Prada, and Zegna (best of season in Milan), why Rick Owens was the show of the season and Yohji Yamamoto was a letdown, the continued elegance of Dries Van Noten, and Rei Kawakubo’s uncharacteristic feeling of lightness, Hermès’ uncompromising quality, why the Japanese newcomers TAAKK and MASU (not covered by Vogue Runway, but covered by us) made Paris exciting, and which small brands we loved and why we are going to lean into supporting smaller brands this year. We wonder out loud, how bad can Louis Vuitton and Dior get? We cheat a little in the end by discussing Galliano’s Maison Margiela Artisanal show, because how could we not?!
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On this episode we speak with Maria Wiesner, the styles editor of Frankfurt Allgemiene Zeitung and the author of a book about the life and work of Jil Sander (published earlier this year in German by HarperCollins). We discuss the formative years of the Queen of Minimalism, how Bauhaus and Hamburg honed her aesthetic, how her trail-blazing, uncompromising vision of minimalism paid off handsomely in the ‘80s and the ‘90s, and her ill-fated deal with Prada.
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On this episode we discuss the work of Phoebe Philo and the role she has played in defining contemporary fashion, the aesthetic direction and the business model of her new eponymous brand as compared to her work at Celine, the reception of the first two drops, and what the future holds.
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