Satch the Artist, Engineers and Fiber Artisans, Dorothy Alig at the Cummins Building, Indy Funk and Soul, and 4,000 Works of Clay
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This week, how Julie Kern the banker became Satch the artist, how engineers and fiber artists decided to collaborate, how Dorothy Alig got her work in the new Cummins Building, that era when Indy had a booming funk and soul scene, and a show and sale of 4,000 works of clay.
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This week, how Julie Kern the banker became Satch the artist, how engineers and fiber artists decided to collaborate, how Dorothy Alig got her work in the new Cummins Building, that era when Indy had a booming funk and soul scene, and a show and sale of 4,000 works of clay.
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