The Crime Is Up Podcast Christopher Affonco Bradley & Will Benson

Waiting on the mailman to deliver a package to your home can be a tiresome chore. Waiting on the mailman to turn up at his own home so you can put a bullet in him can also be a tiresome chore, especially when the sleepy suburban neighborhood he calls home turns out to be not so sleepy. Take a listen to our hard-boiled tale of a very bored hit man as he kills more than just time while waiting for his target.
 
 Then after the story, Chris and Will answer the question, what’s in the box?! That’s right, we’re talking about the stone-cold classic from director David Fincher, Seven. 

Steven Seagal is… Above the Law. Steven Seagal is …Out for Justice. Steven Seagal is… Exit Wounds.

Steven Seagal is many things. A Buddhist. A Russian Citizen. The star of countless aikido action movie classics. This episode, we are taking a closer look at three of those movies. 

Layered deep in these fascinating films are numerous examples of the noir tropes that we crime fiction and film noir fans know and love. So join us, dear listeners, on a journey through the crime films of Steven Seagal! 
Release date April 01, 2023.

It’s our post-holiday special! Chris and Will offer up two hard-boiled tales from early in their writing careers… really early. The Deadliest Weapon comes from when Chris was 12-years-old and portrays a family in crisis, battling not just each other, but a terrible illness. 
And from the twisted mind of a 9-year-old Will comes a rollicking, action-packed police procedural that breaks all the conventions as it follows our protagonist Detective Benson, a suicidal TV junkie, and his loyal servant and friend Genjo. Can they solve the case? Is there even a case? And how many bullets can one Detective take? Have a listen to this crazy little tale that is either titled Detective Benson or The Greatest Detectives and Gangsters to find out. 

So take a listen to this bonus episode where Chris and Will read these stories they wrote when they were children for the first time in some 25 years. Long time listeners will enjoy this comedic bonus, but if this is your first time listening to the show, maybe don’t start here as it’s atypical. 

Pluto is a good dog, but he’s missing. Dug himself out of the yard like a jailbreak. And Pluto ain’t a teacup Yorkie. He’s a Pit bull who can drag cinder blocks across the yard with his teeth.
This ferocious incarnation of man’s best friend had a big fight coming up and now his owner Luke is left without his prized pup. Take a listen as this morally corrupt trainer scours the neighborhood on an odyssey through backyards and cul-de-sacs searching for his best dog. His champion. His Pluto. 

You don’t rob Henshaw’s casino and think he’s going to sit back and take it. He’s ordered The Beefshank, done to perfection. This particular cut of meat is adept at finding people. The thieves who knocked off the safe are about to find that out in spectacular fashion. So have a listen to the exciting conclusion of Will Benson’s crime fiction tale Swimming! 
And after the story, we’re chalking up our pool cues and talking about a true classic, The Hustler. A young Paul Newman, well before his salad dressing days, stars as the uber-confident, always grinning Fast Eddie Felson. He’s out to take the mantle of best pool player in the country from Jackie Gleason’s Minnesota Fats. Gleason of course turns in the performance of his career, sporting his most beloved catchphrase, “One of these days Fast Eddie, to the moon!” 

The casino heist is a go. Has she conned him into it, or is he the final cog needed for an intricate theft they can only pull off in tandem? Find out in part two of our crime fiction tale, Swimming.
Then we’re talking about the funniest, and most fun, of the 90’s erotic neo-noir thrillers, The Last Seduction. Linda Fiorentino is a singular force of will, confidence, and sexuality in director John Dahl’s classic portrayal of the most dangerous of femme fatales. Bill Pullman, Peter Berg, and Bill Nunn co-star as the helpless flies caught up in Fiorentino’s web of deceit.