The Winter Palace Podcast Odessa Steps Magazine

We’re happy to welcome back Al Getz (@AlGetzWrestling) to discuss the latest edition of his Charting the Territories books, this one covering 1971-1973 Gulf Coast Wrestling. We talk about the main players in the territory at this time, including Cowboy Bob Kelly, Bobby Shane, Don Fargo and Rip Tyler, as well as future stars like Kevin Sullivan, Steve Keirn, Ron Bass and Greg Valentine, wrestling as Don’s brother Johnny Fargo. We talk about the towns the promotion ran and some of the interesting ways they crowned champions there (not with belts or trophies).

Then, as we did recently with Beau James, we talk about the travails of being a wrestling historian, covering a business that’s built on a lie. How hard is it to get “accurate” data on things like shows, box office and the like? And Al talk us through his methodology, both online and boots on the ground research.

We chat about Al being inducted into the Tragos/Thesz Pro Wrestling Hall of Fame in Waterloo, Iowa, getting the James C. Melby Historian Award.

The show ends with some quick baseball chat, with the season just a week old and Al’s Atlanta Braves being the only National League East team with a winning record. He also tells us about his first road trip of the year and dealing with weather issues with early spring baseball in the Midwest.

And the next episode of the Charting the Territories will look at Dick the Bruiser’s WWA in Indianapolis coming next week.

Young Tony Schiavone interviews Ole Anderson on WTBS in 1985. RIP Ole Anderson.

















We welcome back Beau James (@kingofkingsport) to the show for some wrestling history chat, including looking back at the lives of Ole Anderson and Mike Jones aka Virgil.
We discuss Ole’s long career, as wrestling and booker in both Georgia and Charlotte. We talk about his tag teams with Gene Anderson, Stan Hansen, Ivan Koloff and Arn as a member of the Four Horsemen. We talk about his famous feud with Dusty Rhodes, the ups and downs of Georiga Championship Wrestling and more. Beau also tells us some stories about running into Ole at the Gulf Coast Wrestler Reunions.
We chat briefly about the passing of Mike Jones, his longevity in the business in both WWF and WCW, his internet notoriety and meeting him on indy shows.
From there, we talk about the Iron Claw movie, even though Beau hasn’t watched it yet. There’s chat about dramatic licenses vs historical inaccuracies, Easter Eggs, when can a sad movie have a positive ending and more.
That segues into a long discussion about being a wrestling historian and the problems that can entail, when you research something built on a lie, including primary sources and their trustworthiness, faulty memories and newspaper reporters keeping kayfabe.
We end the show with a talk about Beau’s Southern States Wrestling promotion, their recent Hall of Fame inductions and upcoming shows this spring and summer.

It’s been a while, but we are happy as heck to welcome back writer, journalist and From the Sublime editor Iain Hepburn back to the show for a long chat about some classic British popular culture (and other stuff).

We start with the recent passing of film and tv music composer Laurie Johnson at age 96. Although probably best known for The Avengers (and New Avengers) themes, he had a long career that includes Jason King and The Professionals on TV and films including Dr. Strangelove. We talk about his career and other British TV composers like Ron Grainer (The Prisoner and Doctor Who) and Edwin Astley (Randall and Hopkirk Decased, Danger Man). This leads into a chat about 1960 British shows, the ones that made it to the US and the ones that didn’t and the fun of spotting actors on those before before they were famous.

Then, there’s plenty of chat about Doctor Who and the return of Russell T. Davies to run the show. We talk about how the vast Doctor Who library is now on BBC iplayer, the Tales of the Tardis special featuring classic cast members, modernizing old episodes for a contemporary audience and the hunt for missing episodes. This segues into a chat about physical media, streaming services, the phenomenon of Talking Pictures TV in the UK, preservation and restoration of older programs, how that relates to classic wresting TV shows and more.

There’s also chat about Iain’s magazine From the Sublime, who third/fourth issue is currently in production. We talk about the previous issues and some of the topics, including a Buck Rogers-themed restaurant in Glascow in the 1980s and futbol kit culture, including an unexpected discussion of the NASL and MLS.
If you want a copy of From the Sublime and you order from their website, enter “WINTERPALACE” for 15% discount.

It’s always great to talk to Iain about stuff, so hopefully it won’t be more than eight years before he is back on the podcast.

Continuing our podcasts centering on biopics, we turn our attention to one of the best of the 1980s, Amadeus, directed by Milos Forman and adapted by Peter Schaffer from his play of the same name. It’s a look at the life of Wolfgang Amadeus Mozart (Tom Hulce), through the lens of his rival, Antonio Salieri (F. Murray Abraham). We discuss Schaffer’s play, which turned into the film, including all the well-known actors who starred in both the UK and Broadway. We look at the plot of the film, discuss some of the historical liberties taken in play and film, including the question of “did Salieri really kill Mozart?” We discuss the rest of the cast, including some well-known character actors and one young actress who would go on to star in one of the biggest US TV shows of this century.

If that wasn’t enough, we talk about Rock Me Amadeus, the 1985 song by Austrian singer Falco and marvel at not only how many versions of the song there were (over 20) but just how amazingly successful it was around the world.

We might be having a new comics podcast coming soon. Still working on logistics. So be on the lookout for that, maybe, along with some big name guests coming to the main show (fingers crossed).

It’s a same day turnaround for this holiday treat, as Justin Jones (@xPrimusPilusx) returns to the podcast to discuss The Iron Claw, the new movie about the Von Erich family, which we saw earlier today.

There are plenty of spoilers (for a docudrama), so if you haven’t seen it yet, save it for after you watch it. Short answer: it’s a good movie, in and of itself, but not great, and pretty good for a wrestling movie. We discuss the whole film, which actors we thought did the best jobs in the main cast, as well as looking at all the actual wrestlers in the movie. (The one everyone is making fun of on social media isn’t that bad.)

There’s also a lot of general wrestling chat: territorial history, foreign menaces as world champion, attendances now and then and how to judge them, the careers of Ross and Marshall Von Erich and more. We also tease which new biopic will probably be the subject of an upcoming pod and will be praised nearly as much as this picture.

Note: we recorded this in the movie theater parking lot, while sitting in the car, and so the quality is not as good as usual. We apologize for the inconvenience.

After seven long years, we’re happy to welcome Zander Cannon (@zandercannon) to the pod to discuss the mad monster party, officially known as Godzilla Minus One. We basically go through the entire film plot point by plot point, so if you haven’t seen it yet, save the pod for after you’ve watched it. Short version: it’s as good or better than all the buzz you’ve heard about it. We talk about the main characters, both the humans and Big G himself, compare it to the original 1954 film (with and without Raymond Burr in the American version), the call-backs to previous movies, the drama at the heart of the movie and what very nerdy fan service thing I would have loved to see in the movie, even if most viewers may not have gotten the reference.

From there, we discuss the 1979 Godzilla comic from Marvel. Zander only read a couple issues as a kid, but I reread all 24 issues for the show. So, we discuss the creators and art style, which Marvel super heroes appear in the book and, of course, the giant Mattel Godzilla toy from that era (you know, the one with the spring-loaded fist you could shoot).

That’s a natural segue into Zander’s comic Kaijumax, which finished up last year and the third of three hardcover collections is coming out soon (it may be out when you hear this) from Oni Press. We talk about the evolution of the series over its 30 issues, the lack of monster vs monster splash pages in the series, all the tropes that got turned on their heads in the series and more.

We end with what could a general talk abou the comics industry, largely about original art, prices these days for older pages, creating comics digitally vs the old pen and ink days, color guides and how cool they are to see, retro technology and a bunch of other topics.

It was great to talk to Zander again on the show and hopefully it won’t take seven years to invite him back.