21 episodes

VISUAL MINDS is the podcast of the Hamburg Portfolio Review. Our host Sebastian H. Schroeder talks to international photo editors, curators and photographers. They speak about the guest’s work, their visual mindset and their view on the future of photography.

The Hamburg Portfolio Review is a cooperation between the publishing house Gruner + Jahr GmbH with the media brands Stern and GEO, the FREELENS Foundation e.V. and the University of Europe for Applied Sciences.

Kindly supported by Canon, the Hamburg Ministry of Culture and Media, Hahnemühle and Messe Hamburg.

VISUAL MINDS The Hamburg Portfolio Review Podcast

    • Arts

VISUAL MINDS is the podcast of the Hamburg Portfolio Review. Our host Sebastian H. Schroeder talks to international photo editors, curators and photographers. They speak about the guest’s work, their visual mindset and their view on the future of photography.

The Hamburg Portfolio Review is a cooperation between the publishing house Gruner + Jahr GmbH with the media brands Stern and GEO, the FREELENS Foundation e.V. and the University of Europe for Applied Sciences.

Kindly supported by Canon, the Hamburg Ministry of Culture and Media, Hahnemühle and Messe Hamburg.

    Gabrielle Fonseca-Johnson about storytelling at Reuters

    Gabrielle Fonseca-Johnson about storytelling at Reuters

    Gabrielle Fonseca Johnson is South Asia Editor for Reuters Pictures. Based in New Delhi, she leads the photography team across the sub-continent.

    Previously Gabrielle was the Senior Editor for The Wider Image, Reuters award winning imprint for long-form photojournalism and led the Yannis Behrakis Photojournalism grant program - a year long mentorship program for young photographers.

    • 39 min
    Paul Ninson on how photography helped him keep a promise

    Paul Ninson on how photography helped him keep a promise

    “Paul Ninson is the founder and executive director of Dikan Center based in Accra, Ghana. Dikan Center is a visionary non-profit institution dedicated to shaping the next generation of Africa's creative leaders. Founded in 2022, Dikan Center is swiftly gaining recognition for its unwavering dedication to visual education, establishing the first photo library in Africa comprising an extensive collection of African history and books. 

    Before establishing the Dikan Center, Paul accumulated a diverse professional background, contributing his talents to globally renowned entities like BBDO, AstraZeneca, Vivo Energy, Next Door, and Humans of New York, where he served as a producer and photo editor.

    Paul's educational journey led him to acquire a degree in Industrial Art from the Kwame Nkrumah University of Science and Technology in Kumasi, Ghana. Furthering his expertise, he immersed himself in the realm of Documentary Practice and Visual Journalism at the distinguished School of the International Center of Photography in New York. 

    Recognised for his achievements through features in prominent publications and his roles as a leader and educator, Paul's mission is to impact whiles making visual education accessible in Africa. He accomplishes this through innovative initiatives & programming such as educational programs, Curating, culture heritage & archiving, and community engagement. 

    Paul has lectured and continues to teach at various schools and programs, such as Dikan School, Babson College, ICP, Nassau Community College, etc. He has curated exhibition extensive in Ghana.”



    Text and photo credit: paulninson.com

    • 33 min
    Martina Bacigalupo on how one phone call changed her life

    Martina Bacigalupo on how one phone call changed her life

    “Martina Bacigalupo – Italian photographer born in 1978, member of the VU’ Agency since 2010, she is based in Paris (France), after having lived 10 years in East Africa.

    After studying literature and philosophy in Italy, then photography at the London College of Communication, Martina Bacigalupo moved to Burundi in 2007. As a committed photographer, she works on human rights issues, particularly on the place of women in the Global South, collaborating with various international organizations (Médecins sans Frontières, Save The Children, Handicap International, Care International, the United Nations, Comité International de la Croix Rouge…)

    […]

    Photo director of the French magazine 6 MOIS since 2018, Martina Bacigalupo is part of the World Press Photo Jury in 2020.

    Regularly published in the international press, her work has been awarded prestigious prizes such as the Amilcare Ponchielli Grin Award in 2009, the Canon Woman Photojournalist Award in 2010 and the FNAC grant for creative work in 2011. Her series “Gulu Real Art Studio“, published by Steidl in 2013, was exhibited at the Walther Collection Project Space in New York in 2013, at Paris Photo, Unseen Fair and Rencontres d’Arles 2014 as well as at the Triennale di Milano in 2016, and integrates the Artur Walther Collection as well as the Donata Pizzi Italian Photography Collection.”

    Text and photo credit: agencevu.com

    • 50 min
    Christoph Bangert on his journey from war photography to professorship

    Christoph Bangert on his journey from war photography to professorship

    Christoph Bangert works as a photographer, author and educator. He studied photojournalism and documentary photography at the International Center of Photography in New York. On assignment for the New York Times, he documented the wars in Afghanistan and Iraq from 2005 to 2013. He is the author of several books, including War Porn (Kehrer 2014), Rumors of War (Kehrer 2021) and The Fotobus Manual (Eigensinn 2022). Bangert is the founder of the Fotobus Society, one of the largest non-profit photography student projects worldwide. Currently, Bangert is a professor of photography at the Hanover University of Applied Sciences and Arts. Bangert serves on the executive board of the laif cooperative.

    • 44 min
    Fabiola Ferrero on how she became a photojournalist in Venezuela

    Fabiola Ferrero on how she became a photojournalist in Venezuela

    Fabiola Ferrero is a journalist and photographer born in Caracas in 1991. Her personal work is the result of how her childhood memories contrast with nowadays Venezuela, her home country. Looking to portray her country's crisis beyond the news, emotion is a key element in her storytelling. She wants to complement the question "What is happening?" with "How is this affecting our souls"?

    Using her background in writing and investigative journalism, she develops long term visual projects about South America, and especially Venezuela's crisis, focused on collaborative ways to speak about the human condition under hostile contexts.

    Interested in bringing opportunities to other newcomer photographers in the region, Fabiola founded Semillero Migrante in 2021, a mentorship program around migration that empowers Venezuelans and Colombians and promotes integration of both cultures.

    She was a jury member for the World Press Photo 2022 contest South American region and Magnum Foundation Fellow for the Social Justice Program in 2018. 

    She’s a frequent contributor of several international media outlets, such as Le Monde, Bloomberg and New York Times.

    Bio: fabiolaferrero.com

    Portrait credit: Stefano Pozzebon

    • 44 min
    Dudley Brooks with an inside view of the Washington Post newsroom

    Dudley Brooks with an inside view of the Washington Post newsroom

    Dudley M. Brooks is based in Washington D.C, US and the deputy director of photography for The Washington Post. He is also the photo editor for The Washington Post Magazine. Proceeding this, Brooks was the director of photography and senior photo editor for the monthly magazine Ebony and its weekly sister periodical Jet - both published by Johnson Publishing Company in Chicago. These iconic publications chronicled the African American experience for over seven decades.  In addition to his primary responsibilities at the Post, he is also a award winning photographer and  a co-founder of The Obsidian Project – an organization committed to promoting culturally diverse points-of-view within the visual industry.

    • 1 hr 1 min

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