Narrow Stairs, Contorted Similes, And The On-Going Poetry Of Hell: PURGATORIO, Canto XII, Lines 100 - 117
Description
Dante and Virgil begin their climb from the first to the second terrace of Purgatory but as they do, they climb up in an incredibly contorted and difficult simile that swaps around emotional landscapes before landing them in the song of Jesus's beatitudes as well as the screams of hell.
Join me, Mark Scarbrough, as we explore the climb out in this most difficult simile.
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Here are the segments for this episode of WALKING WITH DANTE:
[01:42] My English translation of the passage: PURGATORIO, Canto XII, lines 100 - 117. If you'd like to read along or continue the conversation with me, please go to my website: markscarbrough.com.
[03:18] The giant simile about the staircase up to San Miniato al Monte and to the second terrace of Purgatory.
[08:50] Four reasons why this simile is so difficult (and perhaps contorted).
[13:29] The body/soul problem once again that ends with the first of the beatitudes.
[15:50] The inescapable landscape of hell.
[19:23] Rereading the passage: PURGATORIO, Canto XII, lines 100 - 117.
We've come to the middle of PURGATORIO . . . and indeed the middle of COMEDY as a whole. Let's take a breather and review where we've been in Purgatory since our very slow approach sometimes (or often?) causes us to privilege the trees over the forest.
Join me, Mark Scarbrough, as I walk you...
Published 11/20/24
We come to the end of Virgil's (first) discourse on love, as well as the end of the central canto of PURGATORIO.
But it's a strange end since Virgil admits to what he doesn't know. Having been so certain about how human behavior operates, he concludes by telling Dante the pilgrim he's on his own...
Published 11/17/24