This week, we're closing out an unsuccessful hunt with a movie about a man with no name, no identity, no family, and no reason to really be too interested in him as the main character of a film. Yes, it's 1997's The Saint, directed once again by Phillip Noyce, and starring Val Kilmer, Elisabeth Shue, Rade Serbedzija, Henry Goodman, Alun Armstrong, Valeri Nikolaev, Charlotte Cornwell and Emily Mortimer. It's a movie that pairs up a man with no inner life and a woman with no self-esteem as our action-thriller romantic leads, and despite everything working against them in this script, Kilmer and Shue still manage to be quite charming. It's a merciful end to Come On Feel The Noyce, as we're finally done with Phil's films, going out on a movie that could very well make podcast history as the first film to be denied entry in its bid to join the ADHD-DVD canonical classics. Plus: we go deep on the annoying discourse that dominated the week, as Barbie is slighted by the Oscars by only being nominated for 8 including Best Picture, while Tenet finally gets granted a theatrical re-release, and previous pod fodder The Accountant has an unlikely sequel on the way. Other works discussed in this episode include I.S.S., Paul Thomas Anderson's filmography (particularly Hard Eight, Boogie Nights, Magnolia, Licorice Pizza), and all the movies Oscar actually snubbed, like Past Lives, The Holdovers, Asteroid City, May-December, and The Iron Claw. Oh, and Men. Alex Garland's MEN. Coming up next month on the show, February Is For Lovers, and we will be treating it as such, as the four Fridays in Feb will see us cover Richard Linklater's Before Sunrise, Before Sunset and Before Midnight, before a month full of romance ends with canon consideration of Leslye Headland's modern rom-com classic Sleeping With Other People. Until then, we'll see you at the movies!! #HillaryBarbie