As Nancy begins rehearsals for a new production of Tom Stoppard's Rock 'N' Roll, she and Sarah discuss the whole idea of revivals, why some plays seem more popular than others, what directors bring to the table and how much expectation plays a part in enjoyment. Plus why she nearly ended up rehearsing from an airport. Hosted on Acast. See acast.com/privacy for more information.

As the Royal National Theatre celebrates its 60th anniversary Nancy and Sarah look back at productions they have loved, productions they wish they had seen - and talk about the building's importance in our cultural life Hosted on Acast. See acast.com/privacy for more information.

To mark 50 years since Noel Coward's death, the great Patricia Hodge, currently starring in Private Lives at the Ambassador's Theatre in in London, joins Nancy and Sarah to discuss Coward's writing and his influence - with special reference to Oliver Soden's magnificent new biography Masquerade, and a new documentary Mad About the Boy. She shares her insights into performing Coward and explains why Harold Pinter revered him. Hosted on Acast. See acast.com/privacy for more information.

Nancy and Sarah are celebrating because WhatsOnStage, where Sarah is theatre critic, is going to move the stars to the bottom of the page, to encourage people to read reviews as well as look at ratings. It's a decision that recognises that you can't sum up a play simply by giving it a mark out of five. Plus: we look at two revivals that definitely can't be summed up in that way - a thoughtful new production of George Bernard Shaw's Pygmalion at the Old Vic and Andrew Scott's revelatory...

Sarah and Nancy went to see A Mirror at the Almeida Theatre, London, starring Jonny Lee Miller, Micheal Ward, Tanya Reynolds and Geoffrey Streatfeild. This thought-provoking new play by Sam Holcroft, directed by Jeremy Herrin, got us talking about how to write reviews, about the difficulties of star ratings - and about Nancy's teenage encounter with Jonny Lee Miller. Hosted on Acast. See acast.com/privacy for more information.

The opening of Next to Normal at the Donmar Warehouse - a musical about bi-polar illness - prompts a conversation about the need for honesty on stage and whether there's a difference between US and British musicals. Plus Sarah reveals why she finally got Brecht and Nancy talks about her love of big songs in small spaces. Hosted on Acast. See acast.com/privacy for more information.

Nancy and Sarah are back after their summer holidays with a lot to talk about, including Sarah's visit to the Edinburgh Festival, the inspirational qualities of the late director Michael Boyd, and Nancy's unexpected trip to Downing Street Hosted on Acast. See acast.com/privacy for more information.

Nancy and Sarah continue their conversation with the award-winning actress Diana Quick about her career beyond Brideshead Revisited, in which she went from playing alluring women, to women with nervous breakdowns to bonking grannies. She talks about her favourite roles, the importance of children to art, and why the most interesting parts are often monsters. Hosted on Acast. See acast.com/privacy for more information.

Nancy and Sarah quiz Diana Quick about her career, which began when she was a student and is still going strong. She has paved the way for so many women, but her most famous role remains that of Julia Flyte in Granada's legendary television version of Brideshead Revisited. That's where our conversation begins. It goes on to take in life as an actress in the 1960s, singing a weekly song on TV, starring in Ridley Scott's first film, why Albert Finney had the right attitude to work - and what...

Nancy has been curating an exhibition of art made by actors; Sarah has been watching musicals including Groundhog Day at the Old Vic and 42nd Street on tour. While on Broadway, Tom Stoppard and Patrick Marber, subject of a previous podcast, have taken prizes at the Tony Awards. All are the subject of this week's freewheeling conversation. Hosted on Acast. See acast.com/privacy for more information.

Inspired by Sarah's obsession with Succession and the way in which actors with both screen and stage backgrounds combine to make a perfect whole, Sarah and Nancy talk about screen acting and screen writing and Nancy reveals that the difference between the two is not quite what you think. Hosted on Acast. See acast.com/privacy for more information.

Finn Caldwell is the Olivier-award-winning movement director and director of puppetry behind Life of Pi and Ocean at the End of the Lane and many other hits. He started out as the man manipulating the goose in War Horse. He talks to Nancy and Sarah about the way you design a puppet, how they come to life - and how they are changing what theatre can do. "It needs to be capable of anything," he says. Hosted on Acast. See acast.com/privacy for more information.

To celebrate the National Theatre's wonderful new production of Brian Friel's Dancing at Lughnasa, Nancy and Sarah talk about what makes the play such a classic and so full of feeling - with the help of Nancy's husband Jo Stone-Fewings, who met Friel when he appeared in the 2009 revival at the Old Vic. Hosted on Acast. See acast.com/privacy for more information.

The Motive and The Cue by Jack Thorne is about to open - inspired by the time Richard Burton played Hamlet in New York, directed by John Gielgud, with Elizabeth Taylor watching things from the wings. It inspired Nancy and Sarah to talk about why great and famous actors would want to take on those huge Shakespearean parts - and what it takes out of them. Hosted on Acast. See acast.com/privacy for more information.

As Ivo van Hove's ultra-violent version of A Little Life starring James Norton opens on stage, Nancy and Sarah take a look back at some of the history of violence on stage - the plays that have shocked people most, the purpose of stage violence, and the most violent play Nancy has ever starred in. Warning: there are discussions of subjects that some people may find upsetting including violence, bloodshed, self-harm and thoughts of suicide Hosted on Acast. See acast.com/privacy for more...

Inspired by Jamie Lee Curtis, and Nancy's matinees at the Menier Chocolate Factory in Marjorie Prime, Sarah and Nancy take a gentle look at the pleasure of a mid-afternoon performance. And suggest that perhaps we should be considering shows at midnight too! Hosted on Acast. See acast.com/privacy for more information.

Nancy, currently on stage in Marjorie Prime, completely lost her voice thanks to bacterial laryngitis - which prompted Sarah to ask whether actors' voices have changed down the years, and what you can do to change and alter your voice. With special reference to Richard Burton, Benedict Cumberbatch - and Sting! Hosted on Acast. See acast.com/privacy for more information.

As Nancy prepares to open in Marjorie Prime, she and Sarah discuss how few women's voices are still heard - and ways to make sure women are studied in schools and listened to on stage and film. With nods to Caitlin Moran, Sleepova at the Bush Theatre, Women Talking - and why Nancy feels the urge to jump over furniture. Hosted on Acast. See acast.com/privacy for more information.

After an incident in which a choreographer smeared dog faeces in a critic's face because he took against her review, Nancy and Sarah discuss what drives creatives to attack critics, why reviewers have to be free to say what they think - and suggest ways in which the dialogue can improve Hosted on Acast. See acast.com/privacy for more information.

Nancy is in rehearsals for a new play at the Menier Chocolate Factory. So she and Sarah take the opportunity to talk about what goes on behind the scenes when a cast come together - and why you must never have an affair! Hosted on Acast. See acast.com/privacy for more information.

Nancy and Sarah return from their January break full of excitement as Luke Hallgarten, artistic director of the Revel Peck Circus, explains how the art of the circus ring reaches parts other arts really can't reach. Hosted on Acast. See acast.com/privacy for more information.

Sarah and Nancy tip full-tilt into Christmas with a chat about Scrooge, pantomime dames, and all things festive. What does make a good Christmas show? Why is Sarah so miserable at a pantomime? And why does Nancy love carols? Hosted on Acast. See acast.com/privacy for more information.

In Second World War, the British government thought the arts mattered enough to fund an entire entertainment arm. After the war, they built new theatres to enrich the peace, Why have we stopped believing culture is important now, when the world is reeling from a pandemic and a cost of living crisis? Nancy and Sarah take the long view of why they care about the arts - and why they should belong to everyone. Hosted on Acast. See acast.com/privacy for more information.

As James Graham's new play Best of Enemies transfers to the West End, Nancy and Sarah talk to director Jeremy Herrin about working with new playwrights, the challenges of commercial theatre, the importance of assistant directors - and how a teacher changed his life. Hosted on Acast. See acast.com/privacy for more information.

As we begin the run up to Christmas, Nancy and Sarah look back on shows that had a huge impact on them and their children - and the magic ingredients that all kids' shows need Hosted on Acast. See acast.com/privacy for more information.