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#51 - Ronan Bennett: Creating Top Boy, Working with Michael Mann, Following Obsession, Stamina, and Why Screenwriting is like Playing Tennis with Novak Djokovic

Today’s guest began his career writing novels informed by his experiences growing up in the troubles of 1970s Northern Ireland such as The Second Prison which was shortlisted for the 1991 Irish Times prize.Soon after, he began writing for television and film, again bringing signature realism to...

Published 04/29/24

#50 - Lorien McKenna: How the The Pixar Story Department Actually Works, Creating Career Agency, Writing For Visuals, Challenging Shame and The Power of Vulnerability

Today’s guest began her creative journey in the world of theatre before moving to Pixar where she worked in the story department of hits including Ratatouille, Up, Brave, The Good Dinosaur and Inside Out. Having now transitioned to writing and showrunning her own projects, most recently the...

Published 04/08/24

#49 - Simon Blackwell: Writing Veep & The Thick of It, Julia Louis-Dreyfus’ Scary Phrase, Emergency Plane Writing, The Genius of Armando Iannucci, Sweary Grannies, & Why Parenting Makes You A Better Creative

I am lucky to introduce today’s guest who has been at the forefront of British comedy for the last two decades. The man behind hit shows such as Back starring Mitchell and Webb and Sky’s Breeders, his career is long and celebrated but it is his partnership with Armando Innaucci for which he is...

Published 02/19/24