This week, we bring you the OG ACAB novel, William Godwin’s Caleb Williams (1794). We very much stan Godwin, awesome radical, proto-anarchist, Mary Wollstonecraft wifeguy AND Mary Shelley daughterguy. Caleb Williams is about a rich dude who really does mean well, but does that matter? Of course not! It’s structure, structure, structure, so he does murder and then hounds his poor servant (Caleb Williams) all over Britain when his servant finds out about it. We talk Jacobinism, 1790s politics,...

Closing out this year’s Halloween episodes, we have the much-requested Picture of Dorian Gray (1890/91) by Oscar Wilde. You probably know the story. Magic picture gets old while dude the picture is of stays young, dumb, and, uh, dtf? And smoking lots of opium, for it is late Victorian London, and what else does one do? We talk queerness and sexuality, how aesthetics might actually be liberatory, as well as Wilde’s (very good!) politics and tragic bio. We also dive into Wilde’s literary...

The next installment in our Halloween fright fest comes from the guy who brought us classics like “the rest cure” and a book called Fat and Blood: It’s Silas Weir Mitchell’s 1866 short story “The Case of George Dedlow.” The noted Philadelphia physician gave us this fine tale of a Civil War doctor(ish) who loses all of his limbs in a series of events so unfortunate you won’t believe people thought it was a true story. And you extra won’t believe that once you hear about the ending. We chat...

Friends, it’s our third annual Halloween series! We’re talking about Stephen King’s horror classic Carrie (1974), which is about a teenage girl with telekinesis, which the “scientists” cited in the novel conveniently refer to as “TK.” We discuss King’s uneven canon and its political resonances (lots of liberal stuff, but we obviously deliberately misread.) In typical BRtD manner, we talk about the evils of people who ask, “do you know who my dad is?” For those interested in Brian DePalma’s...

Hey comrades! We’re back with more swears, random Frankfurt School references, and messy book takes. In our Season 5 opener, UChicago PhD candidate, friend of the pod, and union organizer Josh Stadtner talks with us about Frank Norris’s McTeague (1899), which is about an amateur dentist and his obsession with a concertina. We establish that Frank Norris was a frat douche and social Darwinist (yeesh), and that his having written in the late 19th/early 20th century is still not the slightest...

We are capping off Season 4 with a tribute to next season’s two-parter, Herman Melville’s sister-boinking polycule classic Pierre. We inhabit the mind of Melville and create a Frankenstein Pierre using some old favorites. All we have to do is find a mom with no chill, a theme for our polycule, a “man-child invincible,” a sister to pine after, a forgettable plot device character, and someone to write this bananas-ass book. Plus Jello. You don’t need to know anything about Pierre to have a good...

This week we are thrilled to bring you Charles Brockden Brown’s 1798 novel Wieland. It’s about a guy who gets tricked by a ventriloquist into murdering his family and—we can’t stress this enough—not anybody else. Not another soul was present. There was absolutely no other character involved in this situation. Even to suggest it would be ridiculous. And that’s final. Also, the ventriloquist is a clown who shows up at a stranger’s house demanding milk. There is spontaneous human combustion....

After devoting much of this podcast to the pressing topic of Dads Who Are A**holes (and have failsons), here’s our second back-to-back episode on Moms Who Are A**holes (this time with a success daughter). We love Jamaica Kincaid, and we especially love her 1990 novella Lucy about a young West Indian woman who comes to work as an au pair for clueless bourgie white people in the United States. We’re talking race and colonialism, capital, gender and sexuality, and, yes, mothers. We also plunge...

It’s a drizzly day in Seattle in John Okada’s No-No Boy (1957), and we’re feeling the mood. No-No Boy is about Ichiro Yamada, a Japanese-American man who refused military service after being drafted from an internment camp and was imprisoned for it. He careens around Seattle and Portland, turning down jobs (always a good instinct) and connecting and disconnecting from his friends and family (including his rather… conspiratorially-minded mother.) We discuss war-era masculinity, citizenship,...

The Bible says something somewhere about children who are worth their weight in gold. Well, George Eliot’s Silas Marner (1861) explores what would happen if we took that proverb super literally! (Or figuratively? Mythically! That’s it. Or is this more of a fable? Wait, it’s a realist novel???) Silas Marner is about a linen weaver in the Midlands countryside whom the village folk assume is Gandalf (natch) and who adopts a daughter who mysteriously appears at his door. But, as with everything...

If you’re one of those try-hards who read this for the AP Lit test (and we are), you’ll be pleased to see us finally take this one on. This week we have F. Scott Fitzgerald’s 1925 novel The Great Gatsby, which is about extremely non-embarrassing things like throwing enormous parties so your ex-girlfriend will notice you. We talk about Fitzgerald’s accounts of sex and money, gender and sexuality, and Long Island guys who are really transplants so they go particularly hard. We read the...

It is time to ride the worm and ask the eternal question “what’s in the box?” This week we have Frank Herbert’s 1965 sci-fi classic about a future where drugs have replaced computers, the nuns are magic and scary, money is worm [redacted], and the East India Company rules space. We chat about this book’s politics, and we get into religion, time, and environmentalism. You simply must try the spice. Everything will make sense. Even the terrifying toddlers in grim reaper robes. Fear is the mind...

If you like feckless boobs who are also giant crysacks (Megan does not), do we have a book for you! Henry Mackenzie’s The Man of Feeling (1771) is a classic sentimental novel with all the trimmings -- a useless protagonist who thinks crying is hot and who can’t stop getting conned by every sharp, coxcomb, and failson in London. It’s a delightfully ridiculous book, one we suspect is very much in on the joke, and we talk discourses of feeling, sentimental critiques of empire and capital, and...

We close up our discussion of Lolita and try not to reflect too much on what has brought us to this point. We consider what sort of people would read this as a morality play, and what in the actual eff is wrong with them (everything). We talk about the road novel as a genre, the doppelgänger (doing a Freud while simultaneously hating the Good Doctor), what reading “with” a character is like, and why this book makes it so difficult not to talk about word objects as though they’re “people.”...

Our Season Four two-parter is on Vladimir Nabokov’s Lolita (1955), and there’s some truly gruesome material here. If you’ve ever wondered where a Vulgar Marxist and an As*hole with Fussy Modernist Aesthetics might diverge in opinion, it’s over this one. We talk about noveliness, comedy, being a reader (bad and good), and the book’s review genealogy. We roll our eyes over blunt commentary (Blanche Schwartzman, really) and nonstop Edgar Allen Poe references. We read the Alfred Appel, Jr....

Friend of the pod, cultural critic, and Northwestern University professor of African American literature Lauren Michele Jackson joins us for our discussion of George Schuyler’s Black No More (1931). If you’ve ever wondered what it’s like to read a wacky-ass novel written by a socialist-turned-right-wing nut, have we got the one for you. Schuyler’s novel takes up the story of what might happen if there were a machine that turned black people white (extra-white, in fact) and how various social...

Got a sister? Are you SURE you don’t have a sister? Pauline Hopkins's Of One Blood (1902-1903) explores this important question along with mesmerism, race, the legacy of American slavery, colonialism and imperialism in Africa, and--somehow--much more. In this episode we simply marvel at the adventures of our protagonist, doctor, anti-colonialist Indiana Jones, enemy of big cats, and king of the ancient Ethopian secret city of Telassar. This novel blew our minds, knocked our socks off, while...

Are you on the bus or off it, man? The book commies, dear listener, are decidedly off it. Or rather, we’re punching, clawing, screaming, and fighting our way out of this goddamn thing, past balls-trippin’ Ken Kesey, speed-addled Neal Cassady, the rest of the Merry Pranksters, and the 400+ freaking pages Tom Wolfe decided to write about them. It’s The Electric Kool-Aid Acid Test (1968) this week, and we’re wrapping up our convo on the New Journalism and talking the counterculture’s reactionary...

Friend of the pod Sebastian Stockman joins us for the second episode in our three-part series on The New Journalism. Sub is a teaching professor in English at Northeastern University, and a journalist and essayist. We discuss Janet Malcolm’s The Journalist and the Murderer (1990), a book about another book -- Joe McGinniss’s Fatal Vision, for which the subject (convicted murderer Jeffrey MacDonald) sued McGinniss for fraud. We take up the whole idea of the “nonfiction novel,” Malcolm’s...

DID YOU MISS US? Reading with Reds returns for Season Four, and we’re talking about Joan Didion’s The White Album as the first of a three-part series on The New Journalism. We discuss Didion’s recording and perception of the 1960s, non-fiction writing and style, reactionary politics, and why you have to take a bottle of bourbon on all your travels. Remember to email us with suggestions for institutions that we should for real abolish, like for real for real. We read the Farrar, Strauss, and...

Join us as we revisit some of our favorite fail-lords of the season and conduct a highly scientific and professional grading meeting! We discuss the dastardly deeds of professors and shrubbery as we take a look back at Nathaniel Hawthorne's "Rappaccini's Daughter" (1844) to determine final grades for “Evil STEM 207.” Then we get into Shirley Jackson's The Haunting of Hill House (1959) to find out whether "blood dad" or "tall nephew" is at the top of the fail-class in “Spooky Real Estate 305.”...

If you’ve been listening to Better Read for a bit, you’re probably aware that Megan’s favorite genre of novel is "brother hearts sister but in a distressing sex way." In that vein, we present one of the absolute classics of the genre, William Faulkner’s Absalom, Absalom!, which is 300 pages but feels longer. A lot longer. The novel features an upwardly-downwardly mobile Scots-Irish bigamist and his children, both “legitimate” and “illegitimate,” and the problem of racial panic in the...

In keeping with Better Read than Dead’s mission of bringing you literature’s greatest failsons -- and Tristan’s favorite genre of novel, “feckless boob goes on a trip” -- may we present Sydney Owenson’s The Wild Irish Girl (1806) and its hero, Horatio M. (We assume he just forgot the rest of his last name.) Horatio is an English aristocrat whose dad exiles him to Ireland in penance for his failsonery, but he soon becomes quite horny for both a harp-playing Irish princess and for Ireland...

If you need some salty tears in your fruitcake, have we got the one for you. We’re talking about Truman Capote’s “A Christmas Memory,” originally published in Mademoiselle in 1956. It’s his semi-autobiographical short story about a young boy’s friendship with his way-older cousin in 1930s Alabama and their alienation from the rest of the adults in the family, something that most of us can relate to. We talk about writing childhood, outsiderness, and the troubles with reading...

Ho ho ho! Or in Welsh, cywnwn cywnwn cywnwn! (Probably. Or definitely not, we don’t speak Welsh). For the first of two Christmas episodes this year, we’re getting all poetic-like -- or rather, prose fiction that follows TONS of poetic conventions -- with Dylan Thomas’s 1952 A Child’s Christmas in Wales. Whether you love Christmas or hate it, this is a beautiful and hilarious piece, and a lot more complex than its surface nostalgia would indicate. We talk mythic vs. historical time, the...