Back by popular demand, more stories from Burning Man’s oral history project, an ambitious endeavor to track down and talk with people who helped shape the culture as we now know it. Stuart and Andie remember to remember the most memorable parts. Here’s a fresh batch: Chris Radcliffe, artist, con artist, prankster, and shadow founder of Burning Man (perhaps), shares stories of how the Cacophony Society would prank the media and how the Black Rock Desert drove up his fears, then dispelled them. He also hints at the larger-than-life impact of the Billboard Liberation Front. Candace Locklear, aka Evil Pippi, a perturber and social experimenteer (new word) shares how she helped Burning Man manage the mainstream media in the late ‘90s. She also talks about cutesy culture jamming as a scary clown. Summer Burkes was the DPW's media liaison. She sees the early days of Black Rock City as the love child of comically aggressive punk rockers and air-kissy techno industrialists, and she embraces their uneasy peace. Steve Heck brought 88 pianos to Burning Man in 1996, stacked them in a tall circular “piano bell.” People beat it into a cacophonous soundscape until he burned it. That was after he almost died wandering the desert. Then he cleaned it up, and did it the next year, and the next year, and taught the BRC teams the art of packing and moving big stuff. Dr Hal Robins is a beloved Renaissance Man of stage and story, a Cacophonist, an Uber Pope of the Church of the Subgenius, and mellifluous philosopher of sesquipedalians. He shares about the inventiveness and serendipity of Burning Man and why it matters in the world.