Description
This week, Hear the Dance host Silas Farley is joined by three dancers who know William Forsythe's 1992 ballet Herman Schmerman well: Original cast members Jeffrey Edwards and Associate Artistic Director Wendy Whelan, and current interpreter Tiler Peck. Edwards and Whelan recall the unique physical and artistic challenges Forsythe's choreography posed, particularly as he called for improvisation and constant change in the studio—sometimes up until the dancers hit the stage. For Peck, Forsythe is as essential a creator as a mentor, particularly as her own career as a choreographer takes off. (59:13)
Written by Silas Farley
Edited by Emilie Silvestri
Music:
Behind the China Dogs (1988) by Leslie Stuck
The Four Sections (1987) by Steve Reich
Just Ducky (1992) by Thom Willems
200 Press (2014) by James Blake
Reading List:
William Forsythe and the Practice of Choreography: It Starts From Any Pointe Edited by Steven Spier
William Forsythe Edited by Senta Driver
The Oxford Handbook of Contemporary Ballet Edited by Kathrina Farrugia-Kriel and Jill Nunes Jensen
This week, hosts Claire Kretzschmar and Soloist Aarón Sanz take the podcast from The Rosin Box to the barre for a conversation about company class, joined by Corps de Ballet Member Christina Clark and former NYCB dancer and current class teacher Amanda Edge. They talk all things real estate,...
Published 11/18/24
The Rosin Box returns! Hosts Claire Kretzschmar and Soloist Aarón Sanz are back with another candid conversation, joined this time by Principal Dancer Unity Phelan and Corps de Ballet Member Naomi Corti. They break down some of the most common myths about ballet and Company culture, from whether...
Published 11/11/24