We've come to know the concerto as a work showcasing a single soloist with (or sometimes against) an orchestra, but what if a work has not 1... but 4 soloists at the same time? And what if it is also bringing in ideas from the symphony? John Banther and Evan Keely take a look at one of the defining works in the genre, show you what to listen for, and discuss why Haydn might have written it in the first place Support Classical Breakdown: https://weta.org/donatefm See omnystudio.com/listener for privacy information.