What kind of satirist was Jane Austen? Her earliest writings follow firmly in the footsteps of Tristram Shandy in their deployment of heightened sentiment as a tool for satirising romantic novelistic conventions. But her mature fiction goes far beyond this, taking the fashion for passionate sensibility and confronting it with moneyed realism to depict a complex social satire in which characters are constantly pulled in different directions by romantic and economic forces. In this episode Clare and Colin focus on Emma as the high point of Austen’s satire of character as revealed through conversational style, and consider how the world Austen was born into, of revolutionary thought and new money, shaped the moral and material universe of all her novels. Watch a further clip from this episode on youtube: https://youtu.be/wUNna8gw_6M Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford. If you're not already a subscriber to Close Readings, sign up: Directly in Apple Podcasts: https://apple.co/4dbjbjG In other podcast apps: lrb.me/closereadings Get in touch: [email protected] Hosted on Acast. See acast.com/privacy for more information.