Description
In the desperate winter of 1610, mass starvation reduced the settler population of colonial Jamestown from 500 to 60. This paper uses the specter of starvation at Jamestown to explore a larger and ongoing relationship between suffering and violence, hazard and horror at the site of colonial settlement. Connecting the misery of “Starving Time” to the viciousness of the first Anglo-Powhatan war, the paper will trace how, as structures of meaning crumbled in Jamestown, the colonial arena became a theater of atrocity wherein settlers did (in the words of one) “things which seame incredible.” And because the place called “Jamestown” was always also the place called “Paspahegh,” the extremities committed there left behind a harrowing history for natives and settlers alike.
Mélusine, a fourteenth-century snake-tailed woman who can fly, derives in part from medieval narrative traditions of fairies and mermaids. It is her excessive wealth, however, that strikes “wonder” and fear into onlookers at the court in Poitou. How might we draw on items of material culture used...
Published 11/30/16
Arguably few playgoers today are aware that Act 4 of Shakespeare's Romeo and Juliet ends with musicians engaging in badinage with a clown. Treated generally as superfluous or insignificant, the Peter and the Musicians scene is now cut more often than not. Yet Shakespeare must have had some larger...
Published 03/28/16
The Catalan Dominican Ramon Martí (d. after 1284) was the most learned polemical author of the later Middle Ages. He was part of the thirteenth-century Dominican interest in missionizing and language learning in Aragon under the auspices of Ramon of Penyafort, interest that led to the famous...
Published 03/28/16