Description
In this episode, Performance Curator Victoria Mohr-Blakeney interviews Ryan Kerr of Fleshy Thud and The Theatre on King about Unexploded Ordnance, a one-man journey through the Great War, brought to you by a stellar team of some of Peterborough’s best independent artists.
100 years after Armistice Day, performer Ryan Kerr takes audiences on a unique path through World War 1, incorporating theatre, live music, dance, and the radical DADA art movement. Unexploded Ordnance – created with director Kate Story, and performed with consummate musicians Curtis Driedger and Matt Greco – is moving, funny, and thought-provoking by turns, providing a glimpse into the almost indescribable carnage, the politics, and the arts of the period, with a poignant personal vein. Live music and an audience-participation “DADA Randomization Machine” introduces a hilarious touch.
Photo by Andy Carroll
In this episode of Curator’s Corner we speak with Roshanak Jaberi of Jaberi Dance Theatre about No Woman’s Land, an evocative new work that explores real stories of women in refugee camps coming to the Market Hall on March 9th and 10th, 2019.
Published 02/26/19
In this episode, Performance Curator Victoria Mohr-Blakeney interviews Brandy Leary of Anandam Dancetheatre about an exciting new performance coming to the Peterborough Square.
Published 09/21/18