Topics discussed: Metafiction (AKA fiction about fiction), what the hell with the Bernard reveal (really, what the hell), the challenge of telling a story that feels familiar yet surprising (and how Westworld did it), whether the robots are just like humans or radically different (yes and no), Ford's real motivations (it's complicated), how intellectual property might be the enemy of storytelling (or maybe not), whether stories can be dangerous (sometimes), what characters and ideas got Yu excited about writing for Westworld (hint: Bernard and metafiction), and why Felix is so important (he shows us a side of Westworld that no one else can).