In the summer of 1987, the music scene was shifting: the larger-than-life sounds of glam rock and heavy metal were at their peak, and the neon-drenched days of the MTV era were in full swing. Hair metal dominated, with bands like Def Leppard, Whitesnake, and Bon Jovi ruling the charts and radio. Rock fans were riding high on guitar solos, power ballads, and the theatrical spectacle of live shows. Amidst this, a familiar name from a different era, Ace Frehley, the original “Spaceman” of Kiss, reemerged with Frehley’s Comet—a solo album that would go on to become a cult favorite, bridging his past as a member of Kiss with his fresh start as a solo artist. The Road to Frehley’s Comet Frehley’s Comet, released in April 1987, was Ace’s first attempt to break out independently since his 1978 solo album with Kiss. This time, however, it wasn’t just a side project—it was an opportunity for Ace to stand alone. After a rocky exit from Kiss, characterized by struggles with addiction and brushes with death (including a notorious car accident in his DeLorean that he references in the track “Rock Soldiers”), Ace had a point to prove. With support from Eddie Trunk, who helped secure him a spot on the Megaforce label, Ace was back in the game, determined to reclaim his legacy in rock. A Blend of Grit and Melody As the Dig Me Out hosts delved into Frehley’s Comet, they highlighted its unique blend of Ace’s signature gritty style mixed with melodic, almost pop-rock elements that made it different from a typical heavy metal album. Tracks like “Rock Soldiers” served as a rallying cry, a self-reflective anthem about overcoming personal demons, while “Into the Night,” a mid-tempo stomp, showcased Ace’s ability to craft a compelling hook that stuck with listeners long after the song ended. The hosts also noted how “Stranger in a Strange Land” exemplified Ace’s unmistakable style: raw yet melodic guitar riffs combined with a vocal delivery that was uniquely his own, both rough and endearing. The Todd Howarth Factor What made Frehley’s Comet stand out wasn’t just Ace’s return. The album also benefited from the contributions of Todd Howarth, whose more polished, AOR-style vocals and songwriting contrasted with Ace’s grittier approach. Tracks like “Calling to You” and “Something Moved” reflected this dynamic, adding a surprising level of variety to the album. This blending of styles made Frehley’s Comet feel like more than just a solo project—it felt like a band effort, and the result was a sound that was both nostalgic and refreshingly modern for its time. Embracing the Strange and the Nostalgic Despite its strengths, Frehley’s Comet isn’t without its quirks. Some tracks, like “Dolls,” with its odd, almost creepy lyrics about mannequins or inanimate “dolls,” veered into strange territory. And while songs like “We Got Your Rock” aimed to pump up the listener, the lyrics felt somewhat clichéd even for the ’80s, as the hosts pointed out with humor. Yet, these moments only added to the album’s charm, capturing a time when rock didn’t take itself too seriously, embracing both the raw and the ridiculous in equal measure. Legacy of a Comeback Album Looking back, Frehley’s Comet isn’t just a product of its era but a testament to Ace Frehley’s resilience and talent. The album succeeded in reminding fans why they fell in love with the “Spaceman” in the first place while introducing him to a new generation eager for guitar heroes. While Ace may have never reached the commercial heights of Kiss in his solo career, Frehley’s Comet endures as a cult classic, cherished by fans who appreciate its rough edges, varied styles, and unapologetic rock ethos. For Ace, it was more than just an album—it was a comeback, a declaration that, indeed, the Ace was back. Songs in this Episode * Intro - We Got Your Rock * 21:55 - Stranger in a Strange Land * 25:14 - Breakout * 32:1