Phyllida Barlow on Bethan Huws
Listen now
Description
First encountering Bethan Huws' work during the degree show at the Royal College of Art in 1988, Phyllida Barlow recalls how, ever since then, it has had an impact on her own approach to sculpture. Phyllida joins Ned McConnell for a discussion of Huws' work, how sculpture has a sensory language and what her own relationship to collecting and objects is.
More Episodes
Osman Yousefzada’s poem, 'Untitled (for Prem)', is written in response to Prem Sahib’s 'User_01' (2016), a panel of black aluminium covered with drops of resin that look like sweat and moisture, smudged in one part as if by a hand. The work’s eroticism, inspired by the sweaty walls of clubs, is...
Published 11/27/23
Published 11/27/23
Marina Warner’s 'Pentimento' is written in response to Paula Rego’s drawing in pencil and conte, 'St Mary of Egypt' (2011) and tells the story of the little-known saint from fragments of reports of those who knew and remembered her. Knowing Rego’s love of storytelling and character studies,...
Published 11/27/23