How can you use setups and payoffs to stitch your film together? In this one-shot, Chas and Stu dive into the awesomeness of EVERYTHING EVERYWHERE ALL AT ONCE. In particular, we focus on its use of setups, payoffs and reversals; breakdown the difference between Pointers and Plants and Stitches; deep dive into its Michael Arndt inspired ending. And, of course, we talk hotdog fingers and butt-plugs. As always: SPOILERS ABOUND. Audio quotations used for educational purposes only. Timestamps indicated below. Chapter markers included in the mp3. Thanks to Chris Walker for editing this episode. CHAPTERS 00:00:00 - Intro 00:00:43 - Anywhere Anything At The Same time 00:10:48 - Summary 00:29:51 - Pointers and Planters 00:56:17 - The Ending 01:17:59 - Wrap Up and Key Learnings 01:30:06 - Thanks to our Patreons LINKS Michael Arndt - Endings: The Good, the Bad, and the Insanely Great -- https://vimeo.com/238637906 Will Dunne - The Dramatic Writer's Companion - https://willdunnedramaticwriting.com/the-dramatic-writers-companion/ RELATED EPISODES DZ-06: Key Scenes and Unlocking the Story DZ-04: Catharsis and the Post-Coital Cigarette DZ-10: Midpoint Reversals and The Ride This episode brought to you by ScriptUp – https://www.scriptupstudio.com – use promo code DZ10 to get 10% off.  Thanks to all our patrons, especially Malay, Casimir, Eduardo, Jennifer, Leigh, Garrett, Bjorn, Randy, Jesse, Sandra, Theis, Alex and Khrob. You rule! BUY DRAFT ZERO MERCH via TeePublic