Description
The image is the “Queen of the Night,” a relief of Old Babylonian Empire (1800-1750 BC); it is now housed in the British Museum.
This large plaque is made of baked straw-tempered clay, modeled in high relief. The figure of the curvaceous naked woman was originally painted red. She wears the horned headdress characteristic of a Mesopotamian deity and holds a rod and ring of justice, symbols of her divinity. Her long multicolored wings hang downwards, indicating that she is a goddess of the Underworld. Her legs end in the talons of a bird of prey, similar to those of the two owls that flank her. The background was originally painted black, suggesting that she was associated with the night. She stands on the backs of two lions, and a scale pattern indicates mountains.
The figure could be an aspect of the goddess Ishtar, Mesopotamian goddess of sexual love and war, or Ishtar's sister and rival, the goddess Ereshkigal who ruled over the Underworld, or the demoness Lilitu, known in the Bible as Lilith. The plaque probably stood in a shrine.
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Music excerpt is “Ninevah”
from the album
The Forest by David Byrne
A brief introduction to the Epic: its origin and significance to our lives.
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Image is of the famed eleventh tablet
of the Epic of Gilgamesh,
in which the tale of the Flood is related.
Now housed in the British Museum,
it was found in the pillaged remains
of the royal library of the...
Published 07/21/11
Preamble to the adventures, introducing Gilgamesh, king of Uruk, and alluding to the goddess Ishtar whose presence is preeminent among all divinity in this tale, and in whose temple are kept the tablets which are to be read to tell this tale.
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Image is an Akkadian representation of Gilgamesh...
Published 07/21/11