This lecture focusses on the two most prominent lovers in Metamorphoses 9-11, Orpheus and Pygmalion. Both also happen to be artists. We first examine Orpheus, paying particular attention to the ways in which Ovid reworks the Virgilian account in Georgics 4, and then Pygmalion, concentrating on the nature of his passion and the connections between the sculptor and the internal narrator who tells his story. We conclude with reflections on the implications of these stories for our understanding of Ovid’s representation of artists in Metamorphoses. Copyright 2014 Rhiannon Evans / La Trobe University, all rights reserved. Contact for permissions.