Picture it: London, 1905. A troubled artist fakes his own death and begins a romance with the suitor of the actual dead man he's now impersonating. This is the basic plot of Jule Styne's Darling of the Day, a musical that couldn't quite earn the distinction of being a masterpiece. What went wrong? We'll paint the picture for you and we'll throw in some New York style pizza, a very funny dame, and a critique from Lisa's dog.