Description
What makes Francis Bacon’s paintings so compelling? And why is the time ripe for a retrospective of his work in Australia? Join ABC Classic FM’s Emma Ayres as she speaks with a line-up of Bacon experts about his extraordinary work, his ramshackle London studio (now preserved in Dublin City Gallery The Hugh Lane) and his connection to Australian artists, from Roy de Maistre to Brett Whiteley.
The panelists are exhibition curator Anthony Bond (assistant director, curatorial, Art Gallery of NSW), Dr Margarita Cappock (head of collections, Dublin City Gallery, The Hugh Lane), Dr Rebecca Daniels and Martin Harrison (respectively, researcher and editor of the Francis Bacon catalogue raisonné).
Under the direction of Barbara Dawson in August 1998, The Hugh Lane team removed Bacon's studio and its entire contents from London to Dublin.
Dawson joins us to talk about this undertaking, which involved moving 7000 objects, and of its implication to subsequent exhibitions of Bacon's work.
Published 02/28/13
Macushla Robinson, Francis Bacon and the female nude
Against the tide of art history, Bacon predominantly painted men. It may seem strange, then, to consider his paintings of women, but Bacon painted some erotically charged nude women and these paintings raise a fascinating question about how...
Published 02/28/13
Discussion panel with Anthony Bond, Barbara Dawson and Andrew Durham, moderated by Mark Ledbury
Published 02/28/13