SPIDER-MAN: NO WAY HOME cinematographer Mauro Fiore and production designer Darren Gilford discuss their collaboration on the blockbuster Marvel movie. Mauro, Darren, and Go Creative Show host, Ben Consoli, discuss the dramatic last-minute changes at the start of production, the benefits of filming on location, and breakdowns of some of the biggest scenes in the movie. Subscribe Now! What you will learn in this episode DP and Production Designer collaboration (01:07) Working on such a big franchise (04:59) Drastic production changes due to the pandemic (07:51) On-location vs in a studio (14:32) Breaking down the Sanctum Sanctorum set (17:11) Tricks to lighting a dark set (23:33) Using LED Walls for cinematography and production design (27:01) Light motivation on sets (29:27) Deconstructing the Peter Parker rooftop scene (32:19) Approach to filming green screen sets (36:25) Pairing the Alexa Mini LF with Panaspeed lenses (42:14) Having story dictate focal depth of field (47:09) Filming the tracking shot of Spider-Man in Aunt May's apartment (49:46) High-energy camera movement (53:01) Making the bridge scene realistic on green screen (54:43) And more! Go Creative Show is supported by: Filmmaker's Academy - Master Your Craft Get 10% off the all access membership using code GOCREATIVE10   Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links SPIDER-MAN: NO WAY HOME IMDb SPIDER-MAN: NO WAY HOME trailer Follow Our Guest Darren Gilford’s Instagram Darren Gilford's IMDb Mauro Fiore's IMDb Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Connor Crosby (producer) Ignition Visuals' website Ignition Visuals' Instagram Follow Dave Siegel (sound mixer) Dave Siegel's website