DEATH ON THE NILE and BELFAST cinematographer Haris Zambarloukos takes us behind the scenes of both films and shares his filmmaking secrets. Haris and Go Creative Show host, Ben Consoli, discuss DEATH ON THE NILE’S enormous 1000 lights boat set, tips for creating the perfect black and white, why every shot is important, and of course his brilliant work on the film BELFAST.
What you will learn in this episode Timeless black and white opening of DEATH ON THE NILE (05:34) Hyperreality of the opening scene (10:31) Using nearly 1000 lights for the boat set (18:09) Ensuring continuous shots serve the story (35:35) Wide framing in BELFAST (49:28) Camera package for Belfast (58:39) And more! Go Creative Show is supported by:
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