The former players of the Japanese women’s volleyball team used to be known as the ‘Witches of the Orient’ because of their seemingly supernatural powers on the courts. In the Julien Faraut’s film, the formation of the squad in the late 1950s as a worker’s team at a textile factory, right up until their triumph at the 1964 Olympic Games in Tokyo, their memories and stern discipline are evoked through modern-day sequences, archival footage, and cartoon images where fact and fable fly hand in hand.