Description
This week, Dana Distortion, Music Photographer for Rolling Stone, Billboard, BrooklynVegan and more, talks about the unwritten contract between artist and photographer, and the difference of capturing the moment with a photo and the scene in video. She breaks down shooting with your right eye while your left eye scouts, and feeling, not anticipating the moment in order to capture what the audience experiences. We discuss how difficult it is to stand out as a music photographer and have it as a full-time career, in addition to pushing yourself instead of comparing your work to others. She talks about the realistic truth behind the lifestyle, bringing a stool into a violent pit, and shooting for as many publications as possible for each show. Lastly, we examine the differences between shooting a stadium, a club, and festivals, and how the most important aspect of this job is to enjoy the shit out of it.
This week Ashley Gutierrez, a junior producer at Fresh Tape, a sports media production company based in Denver, walks us through her role in a recent project between Twitter, HBCUs, and the NBA. She sees her role as the blueprint to everything – from the pitch, to planning, finding the right...
Published 06/22/22
This week, Patrick Drake, a product designer for Dealerware, an automotive tech company located in Austin, discusses how you can’t separate UI from UX because they inherently enhance each other towards a product’s overall goals. He discusses why demonstrating sound problem solving in your work...
Published 03/14/22