Description
Howardena Pindell discusses how social issues and the prospect of societal change impact her art and life. In her artistic practice, Pindell’s work reflects a fascination with gridded, serialized imagery and surface texture. She often employs lengthy, metaphorical processes of destruction/reconstruction. Even in her more politically charged work, Pindell reverts to these thematic focuses to address issues of homelessness, AIDS, war, genocide, sexism, xenophobia, and apartheid. Watch the lecture: https://www.youtube.com/watch?v=7zcw9iriBvU Learn more about Howardena Pindell’s work in the Gallery’s collection: https://www.nga.gov/collection/artist-info.10097.html Pindell’s work “Free, White and 21" is featured in “The Double,” on view July 10–October 31, 2022: https://www.nga.gov/exhibitions/2022/the-double-identity-and-difference-in-art-since-1900.html The Elson Lecture Series features distinguished contemporary artists who are represented in the Gallery's permanent collection. The Honorable and Mrs. Edward E. Elson generously endowed this series in 1992. Find out more about the Elson Lecture Series on our website: https://www.nga.gov/audio-video/elson.html Still haven’t subscribed to our YouTube channels? National Gallery of Art ►►https://www.youtube.com/NationalGalleryofArtUS National Gallery of Art Talks ►►https://www.youtube.com/NationalGalleryofArtTalks
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Published 05/31/22
Maria Schneider composed “Bulería, Soleá y Rumba” in the wake of a cancer diagnosis. Inspired by American artists such as Robert Henri and George Bellows, Schneider discusses “art for life’s sake” that tells a story of people—like the evocative figures in Bellows’s The Lone Tenement.
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Published 05/17/22