The world of art auctions is one of glamour and prestige, uniting people through a shared passion for art, and iconic paintings by old masters regularly make headlines for achieving record-breaking prices at spectacular events in global art hubs. These masterpieces pass into the hands of new owners, continuing their rich histories. But behind the scenes, there’s more than just spectacle – there’s sentiment, complex negotiations, and sometimes restitution, particularly for works wrongfully acquired through the tragedies of war. At the heart of these transactions are the auction houses, where art and luxury lovers gather. Sotheby’s, founded in the mid-18th century, is the oldest and largest internationally recognized fine art and luxury auction house. With such a rich history, institutions like Sotheby’s have a lasting impact on art history, playing a key role in preserving some of humanity’s most treasured creations. They also serve as guardians in turbulent times when artworks are at risk of being lost due to disasters or conflicts. Art and luxury items aren’t just objects of beauty – they’re also investments. As new generations enter and exit the market, the profile of the art buyer continues to evolve. On this week’s episode of Open Mic Life, host Stoyana Ivanova sits down with Andrea Jungmann, the Managing Director of Sotheby’s Austria, Hungary, and Poland. Andrea’s career includes the sale of Paul Rubens’ The Massacre of the Innocents in 2002 and the record-setting auction of Gustav Klimt’s Litzlberg am Attersee for $40.4 million in 2011. She has also been instrumental in the sale of restituted works by Klimt and Schiele. In this episode, Andrea shares insights on becoming an art collector, how technology is transforming the auction world, shifting buyer demographics, the impact of humanitarian crises on art, and even how the weather played a role in the sale of Klimt’s second most expensive landscape. Tune in for all this and more on this week’s episode of Open Mic Life!