Subscribe to the PPM Patreon to access the entirety of "3/22 as Mass Ritual (Pt. I)": patreon.com/ParaPowerMapping You can also support the show at: http://ko-fi.com/parapowermapping We're taking a momentary break from the Cork Board Church series & the Brother Klonny persona to examine another prob f a l s e flag. We're conducting a comp paranoid analysis of the Crocus terror attack, 9/11, & the Christopher Nolan film Tenet to explore the notion that said time-manipulating spy caper flick's opening sequence was predictive programming of the onslaught on the concert hall in Moscow & that this recent tragedy may have been a capstone or furtherance of that deadly magical working, the mass sacrificial ritual complex known as 9/11 or Sept. 11th. Using SK Bain's The Most Dangerous Book in the World: 9/11 as Mass Ritual as a kind of critically paranoid grimoire, we dig into the strange numerological, mythological, & occult synchronicities mutual to 9/11 & 3/22, not excluding the fact that two of the infamous Bush Crime Family architects of the first were also Bonesmen, & that the latter coincidentally occurred on the same Yale Secret Society's high holy day. I'm talking about Skull & Bones. We begin to splay out some of the evidence I've been compiling in my sus Chris Nolan dossier, including the fact that his prod designer is Aleister Crowley's nephew (lending credence to this notion that the film "Tenet" could be evoking both 9/11 & 3/22, as the 9/11 mass ritual was rich w/ Crowleyian imagery & some would argue functioned, in part, as an homage or invocation of the Beast 666) and we also illustrate Chris Nolan + Nathan Crowley's working relationship w/ under-fire MIC contractor B o e i n g during Tenet filming, who loaned them 4 helicopters & sold them the 747 they crashed into the side of a fabricated Oslo Airport (evoking the Pentagon on 9/11). We explain how Tenet was based on the two dimensional acrostic or magic square known as the Sator Square, and that its historical use as a talisman or charm and its numerological properties (which we proceed to locate in various aspects of the Crocus attack) are further evidence supporting this notion that Tenet presaged the Crocus attack & that it may even be a televisual component of some sort of mass brainwashing MegaRitual stretching from 9/11 to 3/22—perhaps intended to reify the earlier psyop false flag & re-calcify the War on Terror that it birthed through Crowley's Law of Reversal. We talk about how the Sator Sq is made up of palindromes and how there are exactly 8228 days b/w 9/11 & 3/22, in other words a numerical palindrome, further underlining this idea the 2 attacks could combine into a kind of occult palindrome. We even find time to talk about 3/22 & the Crocus terror attack's proximity to this imminent solar eclipse on April 8th, which will coincide w/ the launching of 3 NASA rockets named after the Egyptian chaos serpent Apep & the booting up of the Large Hadron Collider at CERN. We talk about how both of these imminent events are rife w/ Crowleyian symbolism & significance, trotting out AC's ritual for Apep (which talks about child sacrifice & vampirism, grimace), Jack Parson's shadow over the rocket launch, & CERN's well-documented appreciation for esoterica & eschatological shit (see the statue of Shiva outside their complex, etc). We unpack 3/22's material inconsistencies & other sus evidence: the anemic security presence; the fact Crocus City Hall's name evokes a Hermetic etiological myth w/ sacrificial connotations; how the Azerbaijani Russian oligarch developer who constructed the venue has liaised w/ Trump on behalf of Putin in the past; the conflicting false flag rhetoric being put forward by both Russian intel & the Western media outlets who serve as propaganda arms of the hegemon that seeks to Balkanize said country; etc. Sub to the Patreon to view the full notes. Songs: | Ludwig Göransson - "Rainy Night in Talinn" | | Ludwig Göransson