“I realized very young and very early on in my career that film does more than just inform and inspire and entertain. It can move people into action, whether it's personal or collective action. As a filmmaker, I've always made films about extraordinary women whose lives are faced with extenuating circumstances who've had adversity thrown at them and who've risen to the occasion. And when I began to look at Diane's story, for me, Diane is a fashion designer, but she's so much more. Her central ethos is woman before fashion, and we felt it was very important to take that ethos and weave it into the spine of our film, and make it about the woman.
In 2015, with A Girl in the River, I created a film that was about a young girl who had been shot by her father and her uncle because she had decided to get married on her own free will. They left her to die in a gunny sack in the river, and she survived. Sabah's story was deeply inspiring, because she wanted to send her father and uncle to jail, but in the end, she forgave them using a lacuna in the law. And when it was nominated for an Academy Award, we wrote a letter to the prime minister of Pakistan, and we used the film to educate and inform the government about the impact of the lacuna in that law, and how it was being misused. The film played a role in closing that and changing the law, which ensured that men who killed women in the name of honor would go to prison.”