Hosted by Brian Schaefer, this episode is an exploration of how gay history is intertwined with the Pillow’s very beginnings, often hiding in plain sight.

A recording of a conversation that took place in 2002, moderated by Reginald Yates. We hear the voices of Donald McKayle, Cleo Parker Robinson, and Julie Belafonte in addition to insights and reflections from Katherine Dunham herself.

Dance scholar Cynthia Williams guides a deep dive into two different political works made by choreographer Jane Comfort in the 1990s, revealing the striking connections to American social injustices escalating today.. *This episode was directed by Lisa Niedermeyer.

Ellen Chenoweth hosts this exploration into the work of influential dance artist Liz Lerman, including the voices of Jawole Willa Jo Zollar, James Frazier, and Pamela Tatge, as well as numerous passages in Lerman's own words.

In this episode, hosted by dance and costume historian Caroline Hamilton, we learn about the summer of 1941 and the events that led to the incorporation of the Jacob's Pillow Dance Festival and the building of the Ted Shawn Theatre.

As a founding presence at Jacob's Pillow from 1931 to 2001, Barton Mumaw embodied much of the institution's history, brought into the light by episode host Lisa Niedermeyer with Mumaw's own words.

Pillow Scholar Jennifer Edwards considers the imprint left by Martha Graham at Jacob's Pillow, with reflections from those she impacted, the work of Richard Move, and the words of Graham herself.

Pillow Scholar Nancy Wozny explores the history of regional ballet in America through conversations and stories of three distinct ballet companies. Featured are artists with Pacific Northwest Ballet, Boston Ballet, and Houston Ballet - three companies who came together here in 2021 for a program called 'Ballet Coast to Coast.'

As an artist, technologist, and former dancer with Doug Elkins and Friends, Lisa Niedermeyer reflects on her time with the company and her embodied memories of performing in Fräulein Maria, the uproarious and joyful dance based on The Sound of Music. We also hear from Elkins himself, recorded during two different Pillow engagements.

Hosted by Jacob's Pillow Associate Archivist Patsy Gay, this episode explores the intersection of dance and technology, diving into both history and current practice. Through the voices and perspectives of Marjani Forté-Saunders, Sydney Skybetter, Brian Brooks, Lily Baldwin, and Ilya Vidrin, we hear how technology can both hinder and enforce a dancer's embodied awareness.

Paloma McGregor remembers the life, work, and legacy of Blondell Cummings. McGregor frames this exploration through Cummings' dance work titled "Chicken Soup", designated as an American Masterpiece by the National Endowment for the Arts in 2006.

PillowVoices composer and audio engineer Ellis Rovin ruminates on some of the ways that dance has been seen on film, drawing upon a PillowTalk by David Gere and considering examples from Fred Astaire to Merce Cunningham.

Madison Cario hosts this episode on the relationship between lighting design and dance, featuring some of the 20th century's most prominent designers—Tom Skelton, Beverly Emmons, Jennifer Tipton, and Mark Stanley. Now the CEO of San Francisco's Minnesota Street Project, Cario draws upon their beginnings in lighting design to illuminate different perspectives on design, collaboration, and building a world on stage.

We join Pillow Scholar Maura Keefe in conversation with award-winning Ana Maria Alvarez, the founder of CONTRA-TIEMPO, a multilingual Los-Angeles-based activist performing company dedicated to transforming the world through dance. This is a recast of a PillowTalk presented live on July 11, 2021.

In this episode we share a PillowTalk that took place at Jacob's Pillow on August 15, 2021. Pillow Scholar and Associate Curator Melanie George hosts this conversation with a foremost tradition-bearer of Black American social dance, LaTasha Barnes, who places jazz dance in the context of House, Hip-Hop, Waacking, and Lindy Hop.

In this episode hosted by Jennifer Edwards, we celebrate the life, work, and impact of Anna Halprin (1920-2021). A visionary force in both dance and healing, Halprin played a crucial role in the evolution of post-modern dance and developing ethical social practice through art. We learn about Halprin's work from scholars Ninotchka Bennahum and Wendy Perron, from Halprin biographer Janice Ross, and from Anna Halprin herself.

Dance writer Wendy Perron, a former associate director of Jacob's Pillow, explores Grand Union, a maverick 1970s improvisation group based in downtown New York. Perron tells their story through the voices of four key members: Yvonne Rainer, Steve Paxton, Trisha Brown, and David Gordon.

Professor of dance at UCLA and Pillow Research Fellow Lionel Popkin explores the complicated history and relationship between Indian dance, American modern dance, and Jacob's Pillow. Posing pointed questions about the 'use' of Indian dance movement and aesthetics in the work of the Denishawn Company, Popkin examines the curatorial lens applied to Indian dance over time, and ultimately the influence and legacy of those choices on the dance landscape of today.

In this episode, we explore how choreographers and their collaborators help make sense of difficult aspects of the human experience - like war, loss, and inequities. Using Pillow conversations with three choreographers, Robin Becker, Ronald K Brown, and Francesca Harper, in dialogue with their collaborators, we hear first-hand experiences of how artists make sense of their worlds and in turn, use their craft to aid in the healing of individuals and perhaps society at large.

Christopher K. Morgan focuses on the vibrancy of contemporary Native and Indigenous dance. As a dancer of Hawaiian descent, Morgan shares insights from his own journey, culture, and lived experience, elevating the voices of Yup’ik artist Emily Johnson, Anishinaabe choreographer Sandra Laronde, and Tahitian dancer/choreographer Lisa Solar. He demonstrates how these and many other Native and Indigenous dancemakers not only delve into the past, but thrive in a challenging present.

From her earliest work as the live-action model for Snow White to the movies and shows of Marge and Gower Champion and decades of Pillow activities, an extraordinary life and legacy is celebrated by Norton Owen using 30 years of Marge Champion recordings.

In part 2 of this several-part series, we explore how dancers and choreographers have embodied and confronted social constraints and constructs. Highlighing conversations between Pillow Scholar Maura Keefe and Carmen de Lavallade, Tere O'Connor and Jawole Willa Jo Zollar, we discover personal, artistic, and political perspectives on age, culture and queerness.

In part 1 of this several-part series, we explore how some artists and thought leaders position the role and influence of governmental programs and political figures on the arts, as well as how artists excavate politics and socio-political content for creative inspiration. Drawing from the work of Liz Lerman and Mark Dendy, we explore how some artists make such work. We also experience a conversation between political commentator Rachel Maddow and Pillow Scholar Suzanne Carbonneau as they...

PillowVoices composer and engineer Ellis Rovin takes inspiration from the Pillow's earliest composer-accompanist, Jess Meeker, with rare interviews shedding light on dance in the 1930s and the early days of Jacob's Pillow.

Dance writer Gregory King explores the work of Garth Fagan from his own perspective as a scholar and former cast member of Disney's Broadway hit, The Lion King, which Fagan choreographed. Topics range from what it means to be a Black dancer / choreographer for a (mostly) white audience, being Jamaican in a Eurocentric dance ecosystem, and the power of embodied recognition stemming from identical cultural origins.