Episodes
Mindhunter marks the fourth time David Fincher has depicted serial-killers. Far from resorting to tired clichés, with the second season he has again broken new ground.
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Published 09/01/19
In Carl Theodore Dreyer's silent masterpiece, the story isn't so much told through Joan's eyes as much as we read it on her face.
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Published 08/25/19
Winning the Palme d'Or with his very first feature, Steven Soderbergh not only made a modern classic, he also delivered a how-to manual for film students.
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Published 08/18/19
Few film songs come anywhere near the layered meanings of Falling in Love Again, sung by Marlene Dietrich in Josef von Sternberg’s The Blue Angel.
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Published 08/11/19
Superficially, Cast Away asks whether modern man can survive alone on a desert island. But Robert Zemeckis' best film is really about destiny vs. free will.
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Published 08/04/19
Robert Bresson's A Man Escaped is a masterful example of less is more; natural acting, minimal music, off-screen sounds and restricting yourself to a 50mm lens.
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Published 07/28/19
Tom Wolfe's superb account about the early days of NASA's space program needed filmmakers who shared a daring similar to the maverick pilots.
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Published 07/21/19
Nostalgia originally had nothing to do with the past but rather a desire to return home. Cinema Paradiso resonates with the feeling that cinema is your home.
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Published 07/14/19
Tiny details are key with Hitchcock. In which case, North by Northwest is really about a woman's quest for significance and a man's need for a maker-over.
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Published 07/07/19
Perhaps the greatest ever film about an artist, Andrei Rublev steadfastly refuses to show its subject painting let alone him holding a brush in his hand.
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Published 06/30/19
How do you make a film about a sociopath who murders his entire extended family and still get the audience to root for him?
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Published 06/23/19
Widely regarded as the greatest war picture ever made, Elem Klimov's Come and See takes its title from The Book of Revelations to deliver a vision of hell.
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Published 06/16/19
Released to ecstatic reviews in 1998, Spielberg's film soon suffered a backlash. Far more complex than first thought, 21 years on it has finally come of age.
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Published 06/09/19
How did Wolfgang Petersen manage to get audiences to care about a bunch of Nazi sailors trying to destroy the British fleet in the North Atlantic?
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Published 06/02/19
No matter how cinematic, all films are nothing more than a form of writing that borrows from other forms of writing. Which is why Arrival comes in code.
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Published 05/26/19
There are several good reasons to watch Bernardo Bertolucci’s controversial Last Tango in Paris, but not all of them make for palatable viewing.
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Published 05/19/19
What if science-fiction were not a literary genre but a political and ideological theory. If so, Alex Garland uses Ex Machina to show us how he sees the world.
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Published 05/12/19
Ari Folman's animated documentary is different from many other films about trauma. But it is only in its final moments that it reveal its most telling truth.
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Published 05/05/19
Five years in the making, David Lynch's film is one of the most compelling, bewildering, original, disturbing and influential debuts in all of cinema.
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Published 04/28/19
By embracing every cliché of Hollywood's serial killer genre, Bong Joon-Ho examined masculinity, institutional repression and national identity.
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Published 04/21/19
In adapting Stephen King's best-seller, Stanley Kubrick drew on a genre other than horror and used a new motif that he would repeat for the rest of his career.
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Published 04/14/19
Michael Haneke asks audiences difficult questions yet never provides easy answers. When he calls his film Hidden, can we expect anything different?
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Published 04/07/19
If such an inscrutable character sits at the heart of John Le Carré's labyrinthine plot, how is the adaptation such a lucid film?
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Published 03/31/19
The vampire genre is so ripe with themes of religion, paganism, sexuality, feminism, xenophobia and disease, did Let The Right One In break new ground?
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Published 03/24/19
For a film that requires so many special effects in order to create the feeling of weightlessness, how did Alfonso Cuarón still keep Gravity so grounded?
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Published 03/17/19