Description
The concrete-lined LA River was built on top of a sprawling floodplain, which the land artist Lauren Bon seeks to reveal through a large-scale infrastructural project called “Bending the River Back to the City”. By diverting a small amount of water from the river, lifting it, cleansing it, and spreading it to a network of public parks, (its former floodplain), she renders the utilitarian water management system as an accessory of public delight and education, and begins the long process of restoring the floodplain to its natural state.
Much of Bon’s artwork is focused on closing the gap between the natural world and public life, and in this conversation she discusses the role of the artist in translating the abstraction of both natural systems and human infrastructure into experiences that are tangible and culturally meaningful. Bon also discusses her earlier work “Not a Cornfield” - in many ways a precursor to Bending the River - which aimed to transform a derelict industrial site “back into a public space — a commons — creat[ing] the possibility for a deeper public consciousness and a sense of shared ownership of LA’s historic floodplain.”
Power & Public Space is a co-production of Drawing Matter & the Architecture Foundation
See acast.com/privacy for privacy and opt-out information.
Memes are increasingly permeating architectural discourse, with Instagram accounts like Dank Lloyd Wright “holding models of power to account, especially when power manifests as aesthetics.”
The meme itself, in Dank Lloyd Wright’s hands, is a sophisticated visual tool, with its own codes, styles...
Published 07/06/22
Since its conception in the 1960’s, the Fun Palace has circulated widely in architecture culture, and mainly through its provocative collages, characterized by giant space-frame trusses framing a flexible shed of interactive cultural events, accessible to all. These images persist as inspiring...
Published 07/06/22