Lots of songwriters point to the idea that the best songs are the ones that tend to find the you, letting the writer be the vessel or medium. Much like "Yesterday" did for Paul, "Across The Universe" seemed to come to John from within a dreamstate, appearing in his subconscious while lying in bed, almost pushing him to get up and go write down the words and find the melody that seemingly appeared out of nowhere. An absolutely gorgeous lyric no doubt influenced by the band's recent immersion...

It almost seems a shame that the Beatles only ever recorded one Burt Bacharach song. There are arguably no finer melodicists in modern popular music than Bacharach and Lennon/McCartney. But "Baby, It's You" is the only song from his catalogue they ever laid to tape. Recorded for their first album and a product of their well documented love of girl-group R&B, it's a chance for John to show his fantastic, soulful voice. His voice really carries the track with an impassioned delivery,...

At the end of what was probably the busiest year they'd ever have, the Beatles needed a single for the Christmas market in 1964. They needed to churn it out while also wrapping up work on their 4th album. John picked up a riff from a Bobby Parker song and wrote what he thought was "a lousy song" around it, but nevertheless, brought it to the band. Thankfully, his fellow Beatles all had deep bags of tricks to pull from. Ringo added a latin groove straight out of "Tequila," George added a Chet...

Though the Lennon/McCartney partnership really only existed in name by 1969, the two songwriters still knew who the best person was to help complete a half-written tune. As they'd done before on songs like "We Can Work It Out" and "A Day in the Life," each brought an unfinished piece they were able to stick together to make a whole with "I've Got A Feeling," combining Paul's verse idea and John's bridge. It's a song they worked on constantly during their January '69 sessions and was the...

In early 1964, John was certainly on a hot streak as a songwriter. He had the lion's share of material on the band's 3rd album, the soundtrack to their film "A Hard Day's Night." He wrote the title song essentially on command. He was the main or sole writer on the majority of the album, and had the most lead vocals. In the film, he's presented as the cocky, confident leader of the group, an image Lennon would be saddled with to present day. Yet that image isn't really the truth. In reality,...

George Harrison's journey as a songwriter began later than his other bandmates. After delivering his first self-penned track for the band's 2nd album, he had to rely on a Lennon/McCartney song for the 3rd, and a Carl Perkins cover on the 4th. But by the time of the Help! album, he had 2 on the table, and found his abilities starting to really grow. With "I Need You," he drops the dour, bitter persona he is sometimes known for to deliver an open, honest, vulnerable track that's economical in...

The friendly creative rivalry between the Beatles and the Beach Boys arguably hit it's peak in 1966 when the bands released two albums that routinely top "best album ever" lists, the Beatles' Revolver and the Beach Boys' Pet Sounds. Lennon and McCartney had been inspiring Beach Boys mastermind Brian Wilson to up his songwriting, and vice versa. On Revolver, this influence shines through in the harmony-laden "Here, There, and Everywhere," a song Paul managed to scribble together while waiting...

One of the first songs The Beatles worked on for the Get Back sessions of 1969, Paul's "Two of Us" was inspired by his road trips to nowhere with his new love, Linda; piling in the car, picking a direction and getting lost, just for fun. When he brought it to the band, it was originally conceived as a fast, chugging rocker, with a dual harmony vocal for Paul and John to harness their inner Everly Brothers on. This is the song the band were working on when George has his infamous "I'll play...

By the time of the White Album, George Harrison had mellowed considerably, thanks in part to his immersion in meditation. His newfound enlightenment replacing the dour, bitter side that came out in earlier songs like "Don't Bother Me," or "Taxman." So it's interesting that this chilled out version of George would decide to pickup the abandoned-in-1966 song "Piggies" to complete for the band's 1968 album. But indeed he does, and with a big assist from Abbey Road engineer Chris Thomas, turns in...

Though George was still a budding songwriter in 1964, deadlines and heavy workloads meant he didn't have anything ready for the band's 4th album. John and Paul didn't seem to have the time to write him something new either, so when the clock was ticking, the band reached back into their bag of beloved covers to find a spotlight for their lead guitarist. Everybody's Trying To Be My Baby, a song by one of their heroes Carl Perkins (or was it?) proved a formidable track to give George a chance...

When you're cranking out 2 albums a year, plus singles, plus a movie, plus BBC sessions, plus tv appearance, AND touring, it can be a little difficult to crank out nothing but brilliance. While most of us hardcore Beatle fans are not quick to deride many songs in their catalog, the Beatles themselves certainly could be, and both John and Paul minced no words in describing this Help! album track. "Abominable," "Abysmal," "Lousy," and "Not literature" are just a few of the descriptors they gave...

It takes a certain higher level of creativity to write a song based around the more mundane and every-day-type affairs. Obviously, that's something Paul McCartney has in spades, as he was able to turn an encounter with a meter maid into the Sgt. Pepper track "Lovely Rita." A bouncing song held down with a really funky groove from Ringo, a ridiculously cool bass part from Paul, all manners of vocal effects and sounds, it's the kind of track that they Beatles could've only put out on the Sgt....

The Beatles's love of Motown is no secret. They were HUGE fans. So it's no shock that their second album featured 3 different songs from the Motown catalog. In fact, the first song cut especially for the album was their powerful cover of Smokey Robinson's "You Really Got A Hold On Me." Now, even though a business deal between Brian Epstein and Motown head Barry Gordy assured its' placement on the record, the band hold nothing back in delivering their heartfelt performance. Buoyed with a great...

If Revolver is the record where The Beatles remove any illusion to their drug use, "She Said She Said" may be one of the cornerstones of that moment. A song with origins from an evening of tripping on LSD in Los Angeles, it's a song that straddles a number of different lines. It rocks, but it's not rocking. It's psychedelic but not trippy. It's autobiographical but filled with illusion. It's probably my favorite guitar tone of all time. It's also a song that's a bit mysterious. Whoever "She"...

What was originally a song given away to fellow Liverpudlian singer Billy J. Kramer, "I Call Your Name" is claimed to be one of John's earliest song attempts, pre-dating the Beatles when he was first learning to play guitar. The song was spruced up with Paul for Kramer, but then reclaimed by the Beatles in early 1964 in consideration for songs for A Hard Day's Night. That plan fell by the wayside, but the track found its' home on the Long Tall Sally EP and The Beatles Second Album in the US,...

After almost a half a year of intense work on the Sgt. Pepper album, it's hardly surprising that, though there was plenty of work to be done for future endeavors, the Beatles were looking to blow off some steam and take things a little bit lighter. "All Together Now," a song that even by Paul's own admission is pretty slight in the grand scheme of things, certainly fits that bill. It eventually found its' home in the Yellow Submarine film and accompanying soundtrack. In the film, it's the...

In the fall of 1964 as the Beatles began working on what would become their 4th album, Beatles for Sale, it was only a couple of months after their 3rd album hit stores. They'd been constantly touring, making their first feature film, recording BBC sessions, essentially going non-stop. Time for songwriting was becoming precious and hard to find, so consequently, they started looking back at more of their favorite covers and originals that had been pushed to the back burner. One of those was...

The Beatles' love of r&b, Motown, and especially Smokey Robinson are no secret. They were such fans, their 2nd album, 1963's With The Beatles featured 3 motown covers, including "Please Mr. Postman," originally by the Marvellettes, and the first chart topping single for the Motown label. While it wasn't as big a hit in the UK, it was a hit with the Beatles, who added it to their set as early as December 1961. By the time they were working on their second album, they had turned it into a...

Lennon and McCartney were masters at finding inspiration all around them, not just from their own personal lives. On the Sgt. Pepper's Lonely Hearts Club Band album, John was inspired by a poster in his house and wrote "Being For The Benefit of Mr. Kite." Paul found inspiration in reading a news story about a young teenage runaway, and turned that into the harp and string-laden drama ballad "She's Leaving Home." Another of those great Macca Mind Movies where the story is so vivid you not only...

From the moment he joined the band, Ringo's popularity meant he'd have a song or two to sing each night. This was a practice for The Beatles even when Pete Best was in the band, but once things really took off, and Lennon and McCartney were becoming more solidified songwriters, they knew it'd be good to have an original for Ringo to sing. "I Wanna Be Your Man" was written while the band was working on their second album, and according to some tellings, was written on the spot for a young,...

Self-care isn't always something that gets prioritized when we're in our 20s. But the notion of taking the time to check in with yourself, to be mindful of the things going on around and inside of you seems to be something that Paul McCartney was tuned into in 1967. He credits this with the freedom to discover himself that he found through mind-expanding stimulants of the time, namely marijuana and LSD. "Fixing A Hole" is the result of this, a metaphorical look at taking personal stock and...

Originally sketched out in a notebook of song ideas started in Rishikesh, Paul's "Mother Nature's Son" is part of a trifecta of White Album songs where he emerges as fully formed solo artist, the only Beatle on the track. It's a beautiful acoustic-based song about the solitude and peace one finds in nature. Featuring a nice bit of Nilsson-influenced brass, it provides fantastic imagery and scenery, another of those great Beatle mind movies. And to my ears, it's also a LOT more...

"We made a mistake," said John. "We thought there was more to him than there was, you know?" said Paul. After their stay in Rishikesh ended, the Beatles' overall disillusionment with the Maharishi lead to John and Paul publicly distancing themselves from the Eastern philosophy and path to enlightenment that George had lead them all to pursue. And while the unit a whole distanced themselves, marking the end of that phase for the group, George continued his practice and involvement for the rest...

They say there's no rest for the wicked, but throughout the 60s, there was often no rest for the Beatles. As soon as work was done on the Sgt. Pepper's Lonely Hearts Club Band album, they began working on more songs with an eye towards the recently-contracted-Yellow Submarine film. Inspired by an acid-fuled evening spent at the 14 Hour Technicolor Dream and his immersion into the hippy scene of '67, John began working on a song called "One of the Beautiful People." At some point, he paired...

Paul McCartney seems to always have a fondness for looking through time. He looks to older age in songs like "When I'm 64," too his own passing in "The End of The End" from Memory Almost Full. He presents quasi case studies in the music of yesteryear with songs like "Honey Pie" or "Your Gave Me The Answer." With "Things We Said Today," he's looking to the future to look at the present, thinking that one day, what he's experiencing NOW will be but a memory. Or something like that. That's how...