049 - Crimes of the Future (David Cronenberg 2022) w/ Newman
Listen now
Description
Felicia is joined by Newman to discuss Cronenberg’s return to body horror in Crimes of the Future (2022). We chat about how Cronenberg explored themes of climate change, body modifications, and the failure of technology, while blending noir-like elements into the story. Send us your thoughts on the episode - what is your favourite modern Cronenberg film? Let us know by sending us a message on any of our social platforms or by email: [email protected] Follow Newman here: Spotify: @Movies4Dayz Podcast Network: https://www.yourunpodcast.com/ Twitter: @MoviesDayz Sources: https://www.npr.org/2022/06/03/1102634107/crimes-of-the-future-david-cronenberg-review https://www.newyorker.com/culture/the-front-row/crimes-of-the-future-reviewed-its-the-end-of-the-world-as-david-cronenberg-knew-it https://www.imdb.com/title/tt14549466/ https://screenrant.com/crimes-future-movie-ending-explained/ https://www.nytimes.com/2022/06/02/movies/crimes-of-the-future-review.html OUTRO SONG: Crimes of the Future by Howard Shore FILMS MENTIONED: The Brood (David Cronenberg 1979) Shrek (Andrew Adamson and Vicky Jenson 2001) Schindler's List (Steven Spielberg 1994) Eastern Promises (David Cronenberg 2007) A History of Violence (David Cronenberg 2005) Scanners (David Cronenberg 1980) Videodrome (David Cronenberg 1983) The Fly (David Cronenberg 1986) They Live (John Carpenter 1988) Maps to the Stars (David Cronenberg 2014) Cosmopolis (David Cronenberg 2012) Rabid (David Cronenberg 1977) Suspiria (Luca Guadagnino 2018) Bug (William Friedkin 2007) Naked Lunch (David Cronenberg 1991) Wall-E (Andrew Stanton 2008) Crash (David Cronenberg 1996) Psycho Goreman (Steven Kostanski 2020) The Void (Steven Kostanski 2006) Hellraiser (Clive Barker 1987) E.T. (Steven Spielberg 1982) Hobo With a Shotgun (Jason Eisener 2011) Kids in the Hall: Brain Candy (Kelly Makin 1996) Eyes Without a Face (Georges Franju 1962)
More Episodes
Felicia is joined by Ryan Ritter to discuss the film that cemented the genre of Italian neo-realism in history; Vittorio De Sica’s Bicycle Thieves (1948). We chat about De Sica’s ability to discover raw talent from non-actors and guide them to deliver unforgettable performances. Along with how...
Published 11/25/24
Published 11/25/24
Felicia is joined by Geoff Thomas to discuss the effects of capitalism on an old man and his dog in Vittorio De Sica’s Umberto D. (1952). We chat about this film as a bridge between De Sica’s as a neo-realist filmmaker and his move towards comedies. Along with the themes of questioning the moral...
Published 11/18/24