Description
Synchronized, scientific, ornamental, fancy, pretty: so many adjectives have been attached over the years to performative swimming, especially when done by women. Now known at the highest level as “artistic swimming,” it was for decades one of the few athletic activities women could pursue, albeit in uncomfortable, baggy, and not exactly aerodynamic attire. Despite—or perhaps because of—its popularity, synchronized swimming's status as a legitimate, elite sport would be contested for just as long—until 1984, in fact, when it finally debuted at the Los Angeles Olympics in all its sparkly glory. In her new book, Swimming Pretty, Scholar contributor Vicki Valosik dives into “the untold story of women in water,” from Victorian starlets like Lurline the Water Queen to Annette Kellerman, the godmother of synchronized swimming and the woman we can all thank for not having to wear petticoats in the water.
Go beyond the episode:
Vicki Valosik’s Swimming Pretty: The Untold Story of Women in WaterRead all about the aquatic theater that Wilbert E. Longfellow devised in the name of safetyLearn some killer moves from Everard Digby’s 1587 manual The Art of Swimming Dip your toes into the films of Esther Williams with this iconic scene from Million Dollar Mermaid, about the life of swimming Annette KellermanVisit our episode page to view more images
Tune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.
Subscribe: iTunes/Apple • Amazon • Google • Acast • Pandora • RSS Feed
Have suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes!
Hosted on Acast. See acast.com/privacy for more information.
It's the summer after graduation, and Munir and his friends G, Ernesto, and Álex leave Madrid for an idyllic summer picking grapes in the French countryside—because, as Munir writes in the sixth edict of his “decalogue of decalogues about experience as literary capital”: “What sets a novelist...
Published 11/15/24
Americans can’t look away from horror stories, whether it’s slasher films on the big screen, true crime on the TV screen, or viral videos on the small screens of our phones. And in a lot of ways, as the historian Jeremy Dauber argues, American history is one horror story after another—from the...
Published 10/31/24