Description
"Fatal Attraction" came out in 1987 when Wesley was 11, and it made a permanent impression on the way he thinks about certain aspects of lust and suspense. With Jenna away on book leave, he welcomed Parul Sehgal, a staff writer at The New Yorker, to the show. Both Wesley and Parul watched “Fatal Attraction” over and over as preteens, and they’ve rewatched it multiple times in the years since. As they break down the most powerful scenes, they are reminded of the loss of high-stakes sex onscreen today. They discuss why the erotic thriller genre disappeared — and what they could gain from seeing more genuine, grown-up sex in movies.
Today: The undoing of Kanye West. “We’re in deeply vile territory, and I can’t make intellectual sense of that,” Wesley Morris says about West, who now goes by Ye.
In 2004, when Ye released “College Dropout," he seemed to be challenging Black orthodoxy in ways that felt exciting and risky. But...
Published 12/06/22
“Black Panther: Wakanda Forever” came into theaters with a huge responsibility: It had to address the death of Chadwick Boseman, the star of the first “Black Panther” movie, who died of cancer in August 2020.
Wesley and J discuss how the film offers the audience an experience of collective grief...
Published 11/29/22