Description
In Episode 14, the second part of my conversation with Brandon Spivey, an old friend and cultural provocateur, we delve into his experiences traveling to Europe in the mid-1980s. During this time, he actively participated in several riots in Berlin as a member of the Black Bloc—an anarchist organization committed to confronting governments and the banking system through direct action. Our discussion extends to his discovery of Dada art, particularly his appreciation for the works of George Grosz. Returning to London, we explore Brandon's visits to the 121 Centre in Brixton, along with various squatted venues and spaces. Throughout these encounters, he shares stories of culturally and politically significant individuals who left a lasting impact on him. Wrapping up our conversation, we touch upon his introduction to the harder techno scene in the 1990s. We also delve into the parties and clubs that influenced his early foray into music production, ultimately leading to his releases on underground techno labels. I asked Brandon to write a short description to describe himself and it is reproduced below
"Brandon Spivey is 56. Has a love of life, music , art and rebellion.
He has lived in a number of countries. Enjoyed many riots.
Hospitalised a number of authoritarian undesirables.
Written 'No Comment, The Defendants Guide to Arrest' .
He gave up drink and drugs in 1989 to focus on being a c#nt.
He has interest in all aspects of working class art, music and culture.
In summary:
Electronic music producer, Film Maker, Building worker and Trouble maker.
Interested in Musicology and Dadaist art.
A proud advocate of free speech and a supporter of peoples right to attack their oppressors.
He mocks identity politics b******t and is proudly anarchist and a born anti authoritarian."
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Theme song is Controlled Weirdness - Drifting in the Streets
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